Cinema of Flames: Balkan Film, Culture and the MediaFirst study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
Между кориците на книгата
Резултати 1 - 3 от 69.
Страница 61
Even Gadjo Dilo / The Crazy Stranger ( 1997 ) , directed by Tony Gatlif , who usually manages to tell stories about his gypsy people without recourse to this narrative device , is structured around the journey of a young Frenchman who ...
Even Gadjo Dilo / The Crazy Stranger ( 1997 ) , directed by Tony Gatlif , who usually manages to tell stories about his gypsy people without recourse to this narrative device , is structured around the journey of a young Frenchman who ...
Страница 72
One of the possible answers ( and my preferred one ) is that the drama ' and ' bloody tragedy ' mindset is an essential part of the general Balkan narrative of which Romania is a part . After ten years of Balkan conflict , albeit ...
One of the possible answers ( and my preferred one ) is that the drama ' and ' bloody tragedy ' mindset is an essential part of the general Balkan narrative of which Romania is a part . After ten years of Balkan conflict , albeit ...
Страница 73
With this discussion I hope to show how the Balkan narrative , nourished by the continuing construction of putative history , helped to re - establish the ' Balkan imaginary as a dark and primitive periphery doomed to eternal trouble .
With this discussion I hope to show how the Balkan narrative , nourished by the continuing construction of putative history , helped to re - establish the ' Balkan imaginary as a dark and primitive periphery doomed to eternal trouble .
Какво казват хората - Напишете рецензия
Не намерихме рецензии на обичайните места.
Съдържание
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Авторско право | |
13 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
Albanian American appear approach audiences Balkan become Belgrade believed Bosnian Bulgarian called cinema claim committed concerns context continue countries critical cultural death depicted director discourse discussion documentary Eastern ethnic Europe European example experiences explored face fact feel Festival film film-makers footage former Greek Gypsies happened identity important intellectuals interest involved issues Italy journalists killed Kusturica later leave lives look Macedonia minority moral move Muslim narrative nationalist never once past played political present Pretty production protagonists question rape reference region remains reports representations represented role Roma Sarajevo scenes seems seen Serbian Serbs shot shown sides story studies talk tells tradition turned Underground University various victims Village violence West Western women writing York young Yugoslav Yugoslavia