Cinema of Flames: Balkan Film, Culture and the Media
Bloomsbury Academic, 26.09.2001 г. - 320 страници
First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)
37 страници от тази книга отговарят на intellectuals
Резултати 1 - 3 от 37.
Какво казват хората - Напишете рецензия
Не намерихме рецензии на обичайните места.
War in the Balkans Moving Images
Are the Balkans Admissible? The Discourse
Narrating the Balkans
13 други раздела не са показани
Други издания - Преглед на всички
Albanian American appear approach audiences Balkan become Belgrade believed Bosnian Bulgarian called cinema claim committed concerns context continue countries critical cultural death depicted director discourse discussion documentary Eastern ethnic Europe European example experiences explored face fact feel Festival film film-makers footage former Greek Gypsies happened identity important intellectuals interest involved issues Italy journalists killed Kusturica later leave lives look Macedonia minority moral move Muslim narrative nationalist never once past played political present Pretty production protagonists question rape region remains reports representations represented role Roma Sarajevo scenes seems seen Serbian Serbs shot shown sides stay story studies talk tells tradition turned Underground University various victims Village violence West Western women writing York young Yugoslav Yugoslavia