Cinema of Flames: Balkan Film, Culture and the MediaFirst study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
Между кориците на книгата
Резултати 1 - 3 от 44.
Страница 76
The footage of earlier unrest in Kosovo , for example , was only occasionally
used until 1998 . But does not the persistent reference to past conflicts make the
new ones look inevitable , as though they have just been waiting to emerge ?
The footage of earlier unrest in Kosovo , for example , was only occasionally
used until 1998 . But does not the persistent reference to past conflicts make the
new ones look inevitable , as though they have just been waiting to emerge ?
Страница 92
... Dušan Makavejev : History as Associative Collage Incorporating documentary
footage in feature film is usually accomplished by adding the documentary as an
extension to the fictional narrative , normally to contextualise the fictional part .
... Dušan Makavejev : History as Associative Collage Incorporating documentary
footage in feature film is usually accomplished by adding the documentary as an
extension to the fictional narrative , normally to contextualise the fictional part .
Страница 101
Balkan Film, Culture and the Media Dina Iordanova. controversial trial of
Archbishop Stepinac of Zagreb – all inviting us to revisit unpleasant historical
episodes of Ustasha terror . This is intercut with extensive footage from the war -
crimes trial ...
Balkan Film, Culture and the Media Dina Iordanova. controversial trial of
Archbishop Stepinac of Zagreb – all inviting us to revisit unpleasant historical
episodes of Ustasha terror . This is intercut with extensive footage from the war -
crimes trial ...
Какво казват хората - Напишете рецензия
Не намерихме рецензии на обичайните места.
Съдържание
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Авторско право | |
12 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
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Библиография
| Заглавие | Cinema of Flames: Balkan Film, Culture and the Media |
| Автор | Dina Iordanova |
| Издание | илюстрирано, ново |
| Издател | Bloomsbury Academic, 2001 |
| Оригиналът е от | Мичиганският университет |
| Цифровизирана на | 20 май 2008 |
| ISBN | 085170848X, 9780851708485 |
| Брой страници | 320 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |