Cinema of Flames: Balkan Film, Culture and the MediaBritish Film Institute, 2001 - 322 страници First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Страница 169
... dominant group increasingly thinks of itself as a new type of deprived minority : weak and disinherited , vulnerable and threatened , culturally isolated in the wider European context . If we expand Appadurai's argument and try to trace ...
... dominant group increasingly thinks of itself as a new type of deprived minority : weak and disinherited , vulnerable and threatened , culturally isolated in the wider European context . If we expand Appadurai's argument and try to trace ...
Страница 215
... dominant ethnic group . Balkan films abound with Gypsies but they are not made by Gypsies or for Gypsies but by and for the dominant groups . These films are not meant to ' rep- resent ' the Roma . As we will see , their ultimate ...
... dominant ethnic group . Balkan films abound with Gypsies but they are not made by Gypsies or for Gypsies but by and for the dominant groups . These films are not meant to ' rep- resent ' the Roma . As we will see , their ultimate ...
Страница 216
... dominant group , who may be dominant in one context , but feels subservient in another . While the cinematic treatment of the Roma may have presented them in an unflatteringly exotic light , their portrayal in Balkan cinema remains ...
... dominant group , who may be dominant in one context , but feels subservient in another . While the cinematic treatment of the Roma may have presented them in an unflatteringly exotic light , their portrayal in Balkan cinema remains ...
Съдържание
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Авторско право | |
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Albanian Aleksandar American Arkan audiences Balkan Balkan cinema Balkan countries Balkan film Balkan film-makers Belgrade Bernard-Henri Lévy Bosnian Bosnian war Bulgarian camp Cannes Chetnik civilisations claim context coverage critical Croat Croatian cultural depicted director discourse discussion documentary Dragojević Dušan Dušan Makavejev Eastern Europe Emir Kusturica ethnic European example experiences explored feminist Film Festival film's footage former Yugoslavia Gaze German Goran Greece Greek Gypsies Holocaust intellectuals interview Islamic issues journalists killed Kosovo Kusturica lives look Lordan Zafranović Macedonia Makavejev Manchevski Marko migration Milcho Manchevski moral Muslim narrative nationalist Ophuls Ottoman perpetrators political Pretty Flame Pretty Village propaganda protagonists rape realise region remains reports representations role Roma Romanian Sarajevan Sarajevo scenes seen Serbian Serbs shot siege Srdjan story take sides talk Theo Angelopoulos Tito trope turbo-folk Ulysses Underground victims villains violence Vukovar West Western women writing Yugoslav Zafranović Želimir Žilnik