Cinema of Flames: Balkan Film, Culture and the MediaFirst study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Страница 74
Once there is death , all preceding events are suitably interpreted as leading to the death , as in the title of Yugoslavia : Death of a Nation . The making of such films is premised on the belief that there is a direct causal link ...
Once there is death , all preceding events are suitably interpreted as leading to the death , as in the title of Yugoslavia : Death of a Nation . The making of such films is premised on the belief that there is a direct causal link ...
Страница 86
The only way out is death , a meaningful death based upon an act of love ... Aleks sacrifices himself and welcomes death , a way into and out of history . ( Rosenstone , 2000 , p . 190 ) 11. Even though Rosenstone preferred to read the ...
The only way out is death , a meaningful death based upon an act of love ... Aleks sacrifices himself and welcomes death , a way into and out of history . ( Rosenstone , 2000 , p . 190 ) 11. Even though Rosenstone preferred to read the ...
Страница 243
Their chronicling of life and death is formative : death is a sharply felt absence , life is an intense trauma . Australian Tahir Cambis , who made the award - winning Exile in Sarajevo , went to Sarajevo first in 1992 , and later on ...
Their chronicling of life and death is formative : death is a sharply felt absence , life is an intense trauma . Australian Tahir Cambis , who made the award - winning Exile in Sarajevo , went to Sarajevo first in 1992 , and later on ...
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Съдържание
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Авторско право | |
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