Feminisms: An Anthology of Literary Theory and CriticismRobyn R. Warhol, Diane Price Herndl Rutgers University Press, 1997 - 1207 страници In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever to be published. In this revised edition, the editors have updated the volume, in keeping with the expanded parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward "where difference commands attention, not dismissal or negativism," they have continued the original collection's mission of providing a multiplicity of perspectives and approaches. This anthology contains three new sections ("Conflict," "Gaze," and "Practice") and includes more selections by and about women of color and lesbians. Aimed at academics and the general public alike, this collection is an indispensable guide to the range of practice on campus today in the field of feminist literary criticism. |
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Съдържание
The Critical | 7 |
BARBARA CHRISTIAN The Highs and Lows of Black Feminist | 51 |
The Domestic in | 57 |
An Overview | 76 |
JOANNA RUSS Anomalousness and Aesthetics from | 97 |
Feminist Challenges | 115 |
PAUL LAUTER Caste Class and Canon 198187 | 129 |
Autonomy | 213 |
WAICHEE DIMOCK Feminism New Historicism | 635 |
Feminist Dialogics 1988 | 708 |
Towards | 765 |
An Asian American Womans | 776 |
Black Lesbians | 784 |
SHIRLEY GEOKLIN LIM Feminist and Ethnic Theories | 807 |
Race | 827 |
GAYATRI CHAKRAVORTY SPIVAK Three Womens Texts | 896 |
Race Gender and | 234 |
CORDELIA CHÁVEZ CANDELARIA The Wild Zone Thesis | 248 |
JANE MARCUS Storming the Toolshed 1982 | 263 |
BIDDY MARTIN and CHANDRA TALPADE MOHANTY Feminist | 293 |
VALERIE SMITH Black Feminist Theory and the Representation | 311 |
TERESA DE LAURETIS Upping the Anti sic | 326 |
This Sex Which Is Not One 1977 | 363 |
Toward | 370 |
MARGARET HOMANS Women of Color Writers | 406 |
LUCE IRIGARAY Another CauseCastration from | 430 |
LAURA MULVEY Visual Pleasure and Narrative Cinema 1975 | 438 |
ELIZABETH MEESE When Virginia Looked at Vita | 467 |
JANE GALLOP The Fathers Seduction from | 489 |
TERRY CASTLE Sylvia Townsend Warner and the Counterplot | 532 |
On the Politics | 564 |
JANICE RADWAY The Readers and Their Romances from | 574 |
On the Politics | 913 |
LAUREN BERLANT The Queen of America Goes to Washington | 931 |
Subjectivity Class | 956 |
Is There a Place | 992 |
ROSAURA SÁNCHEZ Discourses of Gender Ethnicity and Class | 1009 |
MARY JACOBUS Reading Woman Reading from | 1029 |
Paternal | 1068 |
JOSEPH LITVAK Pedagogy and Sexuality 1995 | 1087 |
JANE TOMPKINS Me and My Shadow 1987 | 1103 |
SHARI BENSTOCK Authorizing the Autobiographical 1988 | 1138 |
Against Personal | 1155 |
About the Authors | 1173 |
Alternative Arrangements for Feminisms | 1187 |
1199 | |
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Adrienne Rich aesthetic Afro-American Alice Walker American analysis argues authority becomes black feminist black women body canon castration context critique culture deconstruction defined desire difference discourse dominant Elaine Showalter erotic essay example experience fact father female femi feminine feminism feminist criticism feminist literary feminist literary criticism feminist theory fiction Freud gaze gender genre Gubar heroine heterosexual homosexual homosocial identity ideology imagination interpretation Irigaray Irigaray's Lacan language letter literary criticism literary theory literature look Luce Irigaray masculine meaning metaphor mother narrative narratology narrator nist novel oppression patriarchal perspective pleasure poem poet poetry political position poststructuralism poststructuralist psychoanalysis question race reader reading relation relationship role romance sense sexual Showalter Smithton social speak specific story structure suggests Susan Gubar theoretical tion tradition University Press Virginia Woolf voice woman women of color women writers words writing York