Enfant Terrible!: Jerry Lewis in American FilmMurray Pomerance NYU Press, 2002 - 274 страници The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. |
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... voice.2 We are in a position to see discipline as a feature of social organization and therefore, ultimately, of the control of the powerless by the powerful. In Lewis's work, discipline has no inherent value: it again and again reveals ...
... voice for saying absolutely everything that is relevant and valuable. Many worthy or fascinating filmic moments are ... voices, many faces, many feelings. The book also cannot give—as no book can give—a sufficiently replete description ...
... voice (and thus of his own voice); but by using the trained opera singer, he raises for consideration the issue of professionalization. Why must only a trained, disciplined singer sing loud? Why may not any human voice be raised ...
... voice asking if I could come to Hollywood for six or eight weeks to play the part of a gypsy caravan driver in a full-length film. I said immediately, “Yes, yes, yes,” and before I knew it I was in California wearing tights and a plumed ...
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Съдържание
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3 Jerry Lewis and Social Transformations | 107 |
4 JerryBuilt | 193 |
Works Cited | 256 |
Contributors | 265 |
Index | 269 |