Enfant Terrible!: Jerry Lewis in American FilmMurray Pomerance NYU Press, 2002 - 274 страници The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. |
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... Hollywood or Bust 75 Craig Fischer 6 The Day the Clown Quit: Jerry Lewis Returns to The Jazz Singer's Roots 91 Krin Gabbard 3 Jerry Lewis and Social Transformations 7 Sex and Slapstick: The Martin and Lewis Phenomenon 109 Frank Krutnik ...
... Hollywood or Bust, marveling at how it fails to escape a patriarchalism that was everywhere and hence all but invisible; few popular viewers would have taken the trouble to notice it, and Hollywood filmmakers breathed it like country ...
... Hollywood or Bust (1956) with Dustin Hoffman's in Barry Levinson's Rain Man (1988). While the two films are structurally identical in many ways, the Method performance that underlies Hoffman's Raymond Babbitt is grounded in the idea of ...
... Hollywood or Bust appeared. The mediated self of Jerry Lewis has led many observers to the presumption that the man is nothing if not an obsessive performer, relentless in his appeal to an audience. Krin Gabbard's exploration of the ...
... Hollywood or Bust (1956)—are not only the saddest and funniest he ever made but absolutely unique. To be sure, the concept of male couples joined by a sublimated passion “which passeth the love of a woman” yet is “indifferent to men and ...
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3 Jerry Lewis and Social Transformations | 107 |
4 JerryBuilt | 193 |
Works Cited | 256 |
Contributors | 265 |
Index | 269 |