The Voice in SingingLippincott, 1893 - 192 страници |
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Страница 25
... contralto of boys were sought to be preserved in men . And so , in 1625 , appeared the first male sopranist in the Papal chapel in Rome . Such sopranists and contralt- ists soon appeared in great numbers , and as their B organs of ...
... contralto of boys were sought to be preserved in men . And so , in 1625 , appeared the first male sopranist in the Papal chapel in Rome . Such sopranists and contralt- ists soon appeared in great numbers , and as their B organs of ...
Страница 67
... contralto as in the soprano voice the transitions of the registers are at the same tones , and the difference of the voices lies only in the timbre , and in the greater facility with which the higher or lower tones are pro- duced • THE ...
... contralto as in the soprano voice the transitions of the registers are at the same tones , and the difference of the voices lies only in the timbre , and in the greater facility with which the higher or lower tones are pro- duced • THE ...
Страница 78
... all the tones should sound proportionally strong and full . In the soprano voice the falsetto , and in the contralto voice the chest register , have more ful- • 1 1 E 1 ness and grace , and thus we may distinguish to 78 THE VOICE IN ...
... all the tones should sound proportionally strong and full . In the soprano voice the falsetto , and in the contralto voice the chest register , have more ful- • 1 1 E 1 ness and grace , and thus we may distinguish to 78 THE VOICE IN ...
Страница 80
... contralto , and soprano . Although an exact knowledge of the vocal organ and its various actions must be required of a teacher before the education of a voice can be committed to him , yet it would be unwise to undertake to teach ...
... contralto , and soprano . Although an exact knowledge of the vocal organ and its various actions must be required of a teacher before the education of a voice can be committed to him , yet it would be unwise to undertake to teach ...
Страница 176
... contralto tones , but are not assigned a lower part until , perceiving themselves the impossibility of singing in this way , they beg the teacher for the change , often too late , unhappily , to prevent an irreparable injury . Moderate ...
... contralto tones , but are not assigned a lower part until , perceiving themselves the impossibility of singing in this way , they beg the teacher for the change , often too late , unhappily , to prevent an irreparable injury . Moderate ...
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able accented accustomed æsthetic apophyses arias art of singing artists arytenoid cartilages beautiful breath cavity chest register chest tones consonants contralto correct cultivated culture cuneiform cartilages easily epiglottis falsetto and head falsetto register falsetto tones feeling female voice formation of tones fulness fundamental tone Garcia German head register head tones head voice Helmholtz higher tone highest human voice inharmonic instruments laryngoscope larynx learned lower lungs male voice membrane mouth movement muscles musicians natural notes observation octave old Italian orchestra pitch organ of singing peculiar perfect piano possible practice produced pupil requires rhythm scientific second series sentiment series of tones singers singing masters song sopranists soprano sounding bodies strength stretched sung surface syllables teaching tempo thyroid cartilage timbre tion tone in singing tongue trachea transition trills vibrations vocal art vocal chords vocal ligaments vocal music vocal organ voice in singing vowels whole glottis windpipe words