The Atlantic Monthly, Том 212Atlantic Monthly Company, 1963 |
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Страница 100
... paint . It was one of a row that since the war have begun to climb back toward a tranquil elegance . Its brick and stone exterior was in scrofulous state . Peelings of its last paint job curled from its sides ; its woodwork had cracked ...
... paint . It was one of a row that since the war have begun to climb back toward a tranquil elegance . Its brick and stone exterior was in scrofulous state . Peelings of its last paint job curled from its sides ; its woodwork had cracked ...
Страница 4
... PAINTING ? Gener- ABSTRACTION : The al principles of art . Why artists and the World We Never See • choose to paint as they do . How to understand the extremes moderns . REALISM : The Painter and the World Around Us Visual , emotional ...
... PAINTING ? Gener- ABSTRACTION : The al principles of art . Why artists and the World We Never See • choose to paint as they do . How to understand the extremes moderns . REALISM : The Painter and the World Around Us Visual , emotional ...
Страница 5
... paint- ings with understanding can be one of life's most rewarding experi- ences . Yet it is surprising how many cultivated persons have cut themselves off from this rare form of pleasure . Visiting a museum , they see nothing beyond ...
... paint- ings with understanding can be one of life's most rewarding experi- ences . Yet it is surprising how many cultivated persons have cut themselves off from this rare form of pleasure . Visiting a museum , they see nothing beyond ...
Съдържание
ROBERT E PIKE | 29 |
SCHLESINGER | 35 |
PETER DAVISON | 41 |
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