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" Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity. I have felt yearnings of tenderness towards some of these faces — or rather masks— that have looked out kindly upon one in casual... "
Hood's own; or, Laughter from year to year - Страница 144
по Thomas Hood - 1839
Пълен достъп - Информация за книгата

The London Magazine, Том 4

1821 - 724 страници
...admire it— but with trembling. Jael had those full dark inscrutable eyes. In the negro countenance, you will often meet with strong traits of benignity....love what Fuller beautifully calls — these " images of God cut in ebony." But I should not like to associate with them, to share my meals and my good-nights...

The Republic of Letters: A Weekly Republication of Standard Literature, Том 3

1835 - 432 страници
...admire it — but with trembling. Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....love what Fuller beautifully calls — these "images of God cut in ebony." But I should not like to associate with them, to share my meals and my good nights...

Essays of Elia

Charles Lamb - 1835 - 440 страници
...admire it — but with trembling. Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....love what Fuller beautifully calls — these " images of God cut in ebony." But I should not like to associate with them, to share my meals and my good-nights...

The Republic of Letters: A Weekly Republication of Standard Literature, Том 3

1835 - 430 страници
...admire it — but with trembling. Jael had those fujl dark f inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....upon one in casual encounters in the streets and- higliways. I love what Fuller beautifully calls — these "images of God cut in ebony." But I should...

The Prose Works of Charles Lamb ...: Elia. First series

Charles Lamb - 1836 - 362 страници
...admire it — but with trembling. Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....love what Fuller beautifully calls — these " images of God cut in ebony." But I should not like to associate with them, to share my meals and my good-nights...

The Quarterly Anti-slavery Magazine, Том 2

1837 - 486 страници
...after the pattern of the author of Elia, who says in his felicitous way, " In the negro countenance you will often " meet with strong traits of benignity....love what " Fuller beautifully calls, these ' images of God cut in ebo" ny.' But I should not like to associate with them, to share " my meals and my good-nights...

The Works of Charles Lamb: To which are Prefixed, His Letters, and a Sketch ...

Charles Lamb, Thomas Noon Talfourd - 1838 - 486 страници
...admire it — but with trembling. Jael had those full, dark, inscrutable eyes. In th'e negro countenance you will often meet with strong traits of benignity....love what Fuller beautifully calls — these " images of God cut in ebony." But I should not like to associate with them, to share my meals and my good nights...

The essays of Elia

Charles Lamb - 1840 - 304 страници
...admire it — but with trembling. Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....love what Fuller beautifully calls — these "images of God cut in ebony." But I should not like to associate with them, to share my meals and my good -nights...

The Essays of Elia: First Series - Second Series

Charles Lamb - 1845 - 398 страници
...admire it — but with trembling. Jael had those full dark inscrutable eyes. In the Negro countenance you will often meet with strong traits of benignity....rather masks — that have looked out kindly upon one*in casual encounters in the streets and highways. I love what Fuller beautifully calls — these...

The Essays of Elia: First Series - Second Series

Charles Lamb - 1845 - 396 страници
...tenderness towards some of these faces — or rather masks — that have looked out kindly upon one»in casual encounters in the streets and highways. I love what Fuller beautifully calls — these " images of God cut in ebony." But I should not like to associate with them, to share my meals and my good-nights...




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