A Commentary on Shakespeare's Richard IIIPsychology Press, 2005 - 270 страници First published in 1968. Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare. |
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Страница v
... Final Curse , 61 - Richard's Soliloquy , 62- The Interlude with the Murderers , 63 - Incitement to Murder in Pre- Shakespearian Drama , 63 SCENE FOUR 64 The ' Self - Contained ' Scene in Shakespeare's Plays , 64 - The Place of the Scene ...
... Final Curse , 61 - Richard's Soliloquy , 62- The Interlude with the Murderers , 63 - Incitement to Murder in Pre- Shakespearian Drama , 63 SCENE FOUR 64 The ' Self - Contained ' Scene in Shakespeare's Plays , 64 - The Place of the Scene ...
Страница vi
... Final Speech , 96 SCENE TWO 98 The Opening : The Children , 99 - Children in Elizabethan Drama , 100 - The Lament , 101 - Richard's Entry , 104 - Buckingham's Speech , 105 SCENE THREE 107 The Time - Element in Richard III , 107 - II ...
... Final Speech , 96 SCENE TWO 98 The Opening : The Children , 99 - Children in Elizabethan Drama , 100 - The Lament , 101 - Richard's Entry , 104 - Buckingham's Speech , 105 SCENE THREE 107 The Time - Element in Richard III , 107 - II ...
Страница viii
... - Ratcliff Episode ( 202-227 ) , 224 - The Two Orations Com- pared ( 237-270 ; 344-351 ) , 225 - Richard's Last Entry ( 271-351 ) , 229 SCENE FOUR 231 SCENE FIVE 233 Conventional Motifs in the Final Scene , viii CONTENTS.
... - Ratcliff Episode ( 202-227 ) , 224 - The Two Orations Com- pared ( 237-270 ; 344-351 ) , 225 - Richard's Last Entry ( 271-351 ) , 229 SCENE FOUR 231 SCENE FIVE 233 Conventional Motifs in the Final Scene , viii CONTENTS.
Страница ix
Wolfgang Clemen. SCENE FIVE 233 Conventional Motifs in the Final Scene , 233 - The Initial Stage - Direc- tion , 234- Richmond as the Mouthpiece of the Higher Powers , 235- The Concluding Speech , 235 - Richard III as a History , 237 ...
Wolfgang Clemen. SCENE FIVE 233 Conventional Motifs in the Final Scene , 233 - The Initial Stage - Direc- tion , 234- Richmond as the Mouthpiece of the Higher Powers , 235- The Concluding Speech , 235 - Richard III as a History , 237 ...
Страница xiii
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Съдържание
SCENE ONE I | 1 |
General Structure 1 The Opening Soliloquy 2The PreShake | 20 |
Annes Soliloquy 24 The Address as a Means of Irony 27 Annes | 30 |
Richards Tactics 31 The ConversionSpeech 33 Psychological | 39 |
The Opening Episodes 44Richards Entry | 62 |
The SelfContained Scene in Shakespeares Plays 64 The Place | 72 |
Comparison with Richards Dream in V iii 73 Dramatization of | 74 |
Dreams in PreShakespearian Drama 77 Brakenburys Monologue | 83 |
Treatment of a Minor Episode 135 The Spectacle and the Text 136 | 136 |
Hastings Rôle and Dramatic Irony 138 Richards Entry 138 | 142 |
SCENE SIX | 148 |
Dramatic Techniques 151 Buckinghams Report 152 Irony | 156 |
The Initial Meeting 159 The Brakenbury Episode 159 Lament | 162 |
The Dialogue between Richard and Buckingham 165 Richards | 169 |
Telescoping of Time 171 Tyrrels Report 171 Reappearance of | 174 |
Three Types of Scene Combined 176 Margarets Opening Solil | 185 |
SCENE ONE | 91 |
SCENE TWO | 98 |
The Lament 101 Richards Entry 104 Buckinghams Speech | 105 |
tion and Foreboding 112 The Use of Proverbs 112 Recurrent | 113 |
SCENE ONE | 119 |
Structure of the Scene 120 The Arrival in London 120 The Dis | 128 |
The Messengers Entry 131 Stanleys Dream 131 The Catesby | 134 |
larities and Differences between I ii and IV iv 192 The Seven | 194 |
The IncitementSpeech | 200 |
SCENE FOUR | 231 |
Conventional Motifs in the Final Scene 233 The Initial StageDirec | 235 |
243 | |
Други издания - Преглед на всички
Често срещани думи и фрази
action Anne Anne's appearance audience behaviour Brakenbury Buckingham character choric Clarence Clarence's dream Clemen conscience contrast conventional conversation convey death dialogue Duchess E. K. Chambers E. M. W. Tillyard earlier echo Edward Elizabeth Elizabethan drama Elizabethan Tragedy English entry episode expression fact final future ghost-scene ghosts guilt Hastings Henry Henry VI instance ironic irony Jew of Malta King King's lament lamentation-scene language later lines Locrine M. C. Bradbrook Macbeth Margaret Margaret's curse Marlowe's monologue Moreover murderers opening soliloquy parallel particular passage peace phrases pre-Shakespearian drama present previous scene Prince prose Queen question references rhetorical rhyme Richard III Richard's soliloquy Richard's speech Richmond rôle Selimus Senecan Shakespeare Shakespeare's Histories Shakespearian situation soliloquy Spanish Tragedy Spencer stage stage-direction stichomythia takes Tamburlaine technique theme tion Tragedy before Shakespeare tragic True Tragedy utterances victims villain W. W. Greg wooing-scene words