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Frontispiece. HYDE PARK CORNER IN 1800.

A copy of Plate 95 in THOMAS MALTON'S Picturesque Tour through
the Cities of London and Westminster.

1. PLAN OF PART OF THE PARISH OF ST. JAMES'S ABOUT 1720.

A reduction of a portion of the plan of the parish in STRYPE'S edition
of STOW'S London, said to be taken "from the last survey, with cor-
rections." It is given in the edition of 1720, and, with a few
alterations, in that of 1755, but no date can be definitely fixed, as it is
not perfectly accurate. The Haymarket Opera House, commenced
in 1703, is not marked, but Carlton House, built in 1709, and not
so called until 1714, is figured in it.

25. MELBOURNE OR YORK HOUSE, NOW "THE ALBANY."

33. HERTFORD HOUSE (FORMERLY BARRYMORE HOUSE) BEFORE 1851.

From an etching by J. P. MALCOLM, dated 1807.

38. OLD APSLEY HOUSE FROM HYDE PARK.

Reduced from an engraving by F. VIVARES, dated 1828.

46. THE FRONT OF BURLINGTON HOUSE IN 1868.

From a photograph taken in 1868.

46. OLD BURLINGTON HOUSE ABOUT 1700.

Copied from an engraving in Les Délices de la Grande Bretagne,

LEYDEN, 1707, which is the same on smaller scale as the print in

KIP's Théâtre de la Grande Bretagne.

52. THE COLONNADE OF BURLINGTON HOUSE (TAKEN DOWN IN 1868).

From a photograph taken in 1868.

53 PICCADILLY WALL OF BURLINGTON HOUSE (TAKEN DOWN IN 1868).

Reduced from a drawing made by Mr. JOSEPH EEDES a few weeks

before the wall was pulled down.

PAGE

82.

94.

CLARENDON HOUSE, 1667-83.

From J. T. SMITH'S copy (published in 1798) of a rare contemporary print.

DEVONSHIRE HOUSE, 1808.

From an etching by J. P. MALCOLM, published in 1808.

116. OLD HAYMARKET THEATRE, CLOSED IN 1820.

Copied from an engraving in ROBErt Wilkinson's Londina Illustrata, which is dated 1815.

125. ENTRANCE TO THE OPERA HOUSE PREVIOUS TO THE YEAR 1820. Copied from an engraving in WILKINSON's Londina, which is dated 1816.

205. CHESTERFIELD HOUSE, BUILT IN 1748.

216. ST. GEORGE's Hospital, after R. WILSON, R.A., 1746. THE CHEESECAKE HOUSE, TAKEN DOWN ABOUT 1835.

233.

From an engraving in the Gentleman's Magazine for May, 1801.

259. RANGER'S LODGE IN THE GREEN PARK.

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Copied from a portion of a curious contemporary view of the fireworks exhibited in the Green Park on occasion of the Peace of Aix-laChapelle, on November 7, 1748.

261. ST. JAMES'S PARK IN THE REIGN OF CHARLES II.

Reduced from the plan of the Park in KIP's Théâtre de la Grande
Bretagne, undated, but probably printed soon after 1700.

265. ROSAMOND'S POND, AFTER HOGARTH.

From an engraving published for S. IRELAND, in 1799.

284. ST. JAMES'S PALACE AND PARK.

287

Copied from an undated engraving, probably printed about 1700, or soon after.

ST. JAMES'S PALACE.

This view of the gate and street front of the palace is taken from LEIGH
HUNT's Town, vol. ii., 1848, p. 292, where it is dated 1650.

306. BUCKINGHAM HOUSE IN 1748.

Copied from a portion of a curious contemporary view of the fireworks exhibited in the Green Park on occasion of the Peace of Aix-laChapelle on November 7, 1748.

332. SCHOMBERG HOUSE.

Showing the house as it appeared before the east wing was rebuilt by
Messrs. Harding.

342. THE SCREEN OF CARLTON HOUSE.

From an engraving published by ACKERMANN in 1809.

355. ST. JAMES'S SQUARE ABOUT 1727.

A reduced copy of an undated engraving by SUTTOn Nicholls.

PREFACE.

EVERY large city has a history which is not apparent to the men of business and of pleasure who frequent its streets, but which will reveal itself to the diligent seeker after unwritten traditions and documentary records. London, the largest and busiest of cities, has been for centuries the stage upon which the chief acts in the drama of England's history have been enacted, and if all the actors could be brought before us, a

motley group of great and small would assuredly be

presented to our sight; and even a record in detail of these actors and their homes and deeds must necessarily bear a miscellaneous character as well.

Every old house has a tale to tell to those who will turn aside to listen, but the majority are too much occupied with the present to care about these stories of the past; and to those who are constantly treading on ground made sacred by the historical scenes which have been enacted there, the influence of the daily contact obscures all its interest. London has grown

and is growing to so huge a size,' that a complete

1

On all sides the town is daily extending before our eyes. With Brompton marked in the South Kensington maps as the centre of London,

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