in question has been clearly shown to be both insufficient and erroneous by Mr. Wordsworth in the Preface added to the late collection of his Lyrical Ballads and other poems'. The explanation which Mr. Wordsworth has himself given, will be found to differ from mine, chiefly perhaps, as our objects are different. It could scarcely indeed happen otherwise, from the advantage I have enjoyed of frequent conversation with him on a subject to which a poem of his own first directed my attention, and my conclusions concerning which, he had made more lucid to myself by many happy instances drawn from the operation of natural objects on the mind. But it was Mr. Wordsworth's purpose to consider the influences of fancy and imagination as they are manifested in poetry, and from the different effects to conclude their diversity in kind; while it is my object to investigate the seminal principle, and

(whether in or out of the mind) for a knowledge of the fact, and having discovered the difference, remove the equivocation either by the substitution of a new word, or by the appropriation of one of the two or more words, which had before been used promiscuously. When this distinction has been so naturalized and of such general currency that the language does as it were think for us (like the sliding rule which is the mechanic's safe substitute for arithmetical knowledge) we then say that it is evident to common sense. Common sense, therefore, differs in different ages. What was born and christened in the schools passes by degrees into the world at large, and becomes the property of the market and the tea-table. At least I can discover no other meaning of the term, common sense, if it is to convey any specific difference from sense and judgement in genere, and where it is not used scholastically for the universal reason. Thus in the reign of Charles II. the philosophic world was called to arms by the moral sophisms of Hobbes, and the ablest writers exerted themselves in the detection of an error which a school-boy would now be able to confute by the mere recollection, that compulsion and obligation conveyed two ideas perfectly disparate, and that what appertained to the one had been falsely transferred to the other by a mere confusion of

terms.

then from the kind to deduce the degree. My friend has drawn a masterly sketch of the branches with their poetic fruitage. I wish to add the trunk, and even the roots as far as they lift themselves above ground, and are visible to the naked eye of our common consciousness.

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Yet even in this attempt I am aware that I shall be obliged to draw more largely on the reader's attention, than so immethodical a miscellany can authorize; when in such a work (the Ecclesiastical Polity) of such a mind as Hooker's, the judicious author, though no less admirable for the perspicuity than for the port and dignity of his language; and though he wrote for men of learning in a learned age; saw nevertheless occasion to anticipate and guard against complaints of obscurity', as often as he was about to trace his subject to the highest well-spring and fountain". Which (continues he), 'because men are not accustomed to, the pains we take are more needful a great deal, than acceptable; and the matters we handle, seem by reason of newness (till the mind grow better acquainted with them) dark and intricate.' I would gladly therefore spare both myself and others this labor, if I knew how without it to present an intelligible statement of my poetic creed, not as my opinions, which weigh for nothing, but as deductions from established premises conveyed in such a form, as is calculated either to effect a fundamental conviction, or to receive a fundamental confutation. If I may dare once more adopt the words of Hooker, they, unto whom we shall seem tedious, are in no wise injured by us, because it is in their own hands to spare that labor, which they are not willing to endure.' Those at least, let me be permitted to add, who have taken so much pains to render me ridiculous for a perversion of taste,

and have supported the charge by attributing strange notions to me on no other authority than their own conjectures, owe it to themselves as well as to me not to refuse their attention to my own statement of the theory, which I do acknowledge; or shrink from the trouble of examining the grounds on which I rest it, or the arguments which I offer in its justification.

CHAPTER XVII

Examination of the tenets peculiar to Mr. Wordsworth-Rustic life (above all, low and rustic life) especially unfavorable to the formation of a human diction-The best parts of language the product of philosophers, not of clowns or shepherdsPoetry essentially ideal and generic-The language of Milton as much the language of real life, yea, incomparably more so than that of the cottager.

As far then as Mr. Wordsworth in his preface contended, and most ably contended, for a reformation in our poetic diction, as far as he has evinced the truth of passion, and the dramatic propriety of those figures and metaphors in the original poets, which, stripped of their justifying reasons, and converted into mere artifices of connexion or ornament, constitute the characteristic falsity in the poetic style of the moderns; and as far as he has, with equal acuteness and clearness, pointed out the process by which this change was effected, and the resemblances between that state into which the reader's mind is thrown by the pleasureable confusion of thought from an unaccustomed train of words and images; and that state which is induced by the natural language of empassioned feeling; he undertook a useful task, and deserves all praise, both for the attempt and for the execution. The provocations to this remonstrance in behalf of truth and nature were still of perpetual recurrence before and after the publication of this

preface. I cannot likewise but add, that the comparison of such poems of merit, as have been given to the public within the last ten or twelve years, with the majority of those produced previously to the appearance of that preface, leave no doubt on my mind, that Mr. Wordsworth is fully justified in believing his efforts to have been by no means ineffectual. Not only in the verses of those who have professed their admiration of his genius, but even of those who have distinguished themselves by hostility to his theory, and depreciation of his writings, are the impressions of his principles plainly visible. It is possible, that with these principles others may have been blended, which are not equally evident; and some which are unsteady and subvertible from the narrowness or imperfection of their basis. But it is more than possible, that these errors of defect or exaggeration, by kindling and feeding the controversy, may have conduced not only to the wider propagation of the accompanying truths, but that, by their frequent presentation to the mind in an excited state, they may have won for them a more permanent and practical result. A man will borrow a part from his opponent the more easily, if he feels himself justified in continuing to reject a part. While there remain important points in which he can still feel himself in the right, in which he still finds firm footing for continued resistance, he will gradually adopt those opinions, which were the least remote from his own convictions, as not less congruous with his own theory than with that which he reprobates. In like manner with a kind of instinctive prudence, he will abandon by little and little his weakest posts, till at length he seems to forget that they had ever belonged to him, or affects to consider them at most as accidental and 'petty annexments',

the removal of which leaves the citadel unhurt and unendangered.

My own differences from certain supposed parts of Mr. Wordsworth's theory ground themselves on the assumption, that his words had been rightly interpreted, as purporting that the proper diction for poetry in general consists altogether in a language taken, with due exceptions, from the mouths of men in real life, a language which actually constitutes the natural conversation of men under the influence of natural feelings. My objection is, first, that in any sense this rule is applicable only to certain classes of poetry; secondly, that even to these classes it is not applicable, except in such a sense, as hath never by any one (as far as I know or have read) been denied or doubted; and lastly, that as far as, and in that degree in which it is practicable, yet as a rule it is useless, if not injurious, and therefore either need not, or ought not to be practised. The poet informs his reader, that he had generally chosen low and rustic life; but not as low and rustic, or in order to repeat that pleasure of doubtful moral effect, which persons of elevated rank and of superior refinement oftentimes derive from a happy imitation of the rude unpolished manners and discourse of their inferiors. For the pleasure so derived may be traced to three exciting causes. The first is the naturalness, in fact, of the things represented. The second is the apparent naturalness of the representation, as raised and qualified by an imperceptible infusion of the author's own knowledge and talent, which infusion does, indeed, constitute it an imitation as distinguished from a mere copy. The third cause may be found in the reader's conscious feeling of his superiority awakened by the contrast presented to him; even as for the same purpose the kings and great barons of yore