Графични страници
PDF файл
ePub

By sheddings from the pinal umbrage tinged
Perennially-beneath whose sable roof
Of boughs, as if for festal purpose decked
With unrejoicing berries, ghostly shapes

May meet at noontide-FEAR and trembling HOPE,
SILENCE and FORESIGHT-DEATH, the skeleton,
And TIME, the shadow-there to celebrate,
As in a natural temple scattered o'er
With altars undisturbed of mossy stone,
United worship; or in mute repose

To lie, and listen to the mountain flood
Murmuring from Glaramara's inmost caves.

The effect of the old man's figure in the poem of Resignation and Independence, vol. ii, p. 33.

While he was talking thus, the lonely place,
The old man's shape, and speech, all troubled me:
In my mind's eye I seemed to see him pace
About the weary moors continually,
Wandering about alone and silently.

Or the 8th, 9th, 19th, 26th, 31st, and 33rd, in the collection of miscellaneous sonnets-the sonnet on the subjugation of Switzerland, p. 210, or the last ode, from which I especially select the two following stanzas or paragraphs, pp. 349-350.

Our birth is but a sleep and a forgetting;
The soul that rises with us, our life's star,
Hath had elsewhere its setting,

And cometh from afar.

Not in entire forgetfulness,
And not in utter nakedness,

But trailing clouds of glory do we come
From God, who is our home:

Heaven lies about us in our infancy!

Shades of the prison-house begin to close
Upon the growing boy;

But he beholds the light, and whence it flows,
He sees it in his joy!

The youth who daily further from the East
Must travel, still is nature's priest,
And by the splendid vision
Is on his way attended;

At length the man perceives it die away,
And fade into the light of common day.

And pp. 352-4 of the same ode.

O joy that in our embers
Is something that doth live,
That nature yet remembers
What was so fugitive!

The thought of our past years in me doth breed
Perpetual benedictions: not indeed

For that which is most worthy to be blest;
Delight and liberty, the simple creed

Of childhood, whether busy or at rest,

With new-fledged hope still fluttering in his breast;

Not for these I raise

The song of thanks and praise;

But for those obstinate questionings
Of sense and outward things,

Fallings from us, vanishings;

Blank misgivings of a creature

Moving about in worlds not realized,

High instincts, before which our mortal nature

Did tremble like a guilty thing surprised!

But for those first affections,

Those shadowy recollections,

Which, be they what they may,

Are yet the fountain light of all our day,

Are yet a master light of all our seeing;
Uphold us-cherish-and have power to make
Our noisy years seem moments in the being
Of the eternal silence; truths that wake
To perish never :

Which neither listlessness, nor mad endeavour,
Nor man nor boy

Nor all that is at enmity with joy,

Can utterly abolish or destroy!

Hence, in a season of calm weather,

Though inland far we be,

Our souls have sight of that immortal sea
Which brought us hither;

Can in a moment travel thither

And see the children sport upon the shore, And hear the mighty waters rolling evermore.

And since it would be unfair to conclude with an extract, which, though highly characteristic, must yet, from the nature of the thoughts and the subject, be interesting, or perhaps intelligible, to but a limited number of readers; I will add, from the poet's last published work, a passage equally Wordsworthian; of the beauty of which, and of the imaginative power displayed therein, there can be but one opinion, and one feeling. See White Doe',

p. 5.

Fast the church-yard fills;-anon
Look again and they are gone;

·

The cluster round the porch, and the folk
Who sate in the shade of the prior's oak!
And scarcely have they disappear'd,
Ere the prelusive hymn is heard :—
With one consent the people rejoice,
Filling the church with a lofty voice!

They sing a service which they feel,
For 'tis the sun-rise of their zeal ;
And faith and hope are in their prime
In great Eliza's golden time.

A moment ends the fervent din,
And all is hushed, without and within;
For though the priest, more tranquilly,
Recites the holy liturgy,

The only voice which you can hear
Is the river murmuring near.

When soft!-the dusky trees between,
And down the path through the open green,
Where is no living thing to be seen;
And through yon gateway, where is found,
Beneath the arch with ivy bound,
Free entrance to the church-yard ground;
And right across the verdant sod,
Towards the very house of God;
Comes gliding in with lovely gleam,
Comes gliding in serene and slow,
Soft and silent as a dream,

A solitary doe!

White she is as lily of June,

And beauteous as the silver moon
When out of sight the clouds are driven
And she is left alone in heaven!
Or like a ship some gentle day
In sunshine sailing far away-

A glittering ship, that hath the plain
Of ocean for her own domain.

[blocks in formation]

What harmonious pensive changes
Wait upon her as she ranges
Round and through this pile of state
Overthrown and desolate!

[blocks in formation]

Now a step or two her way
Is through space of open day,
Where the enamoured sunny light
Brightens her that was so bright;
Now doth a delicate shadow fall,
Falls upon her like a breath,
From some lofty arch or wall,
As she passes underneath.

The following analogy will, I am apprehensive, appear dim and fantastic, but in reading Bartram's Travels I could not help transcribing the following lines as a sort of allegory, or connected simile and metaphor of Wordsworth's intellect and genius.— The soil is a deep, rich, dark mould, on a deep stratum of tenacious clay; and that on a foundation of rocks, which often break through both strata, lifting their back above the surface. The trees which chiefly grow here are the gigantic black oak; magnolia magni-floria; fraxinus excelsior; platane; and a few stately tulip trees.' What Mr. Wordsworth will produce, it is not for me to prophesy : but I could pronounce with the liveliest convictions what he is capable of producing. It is the FIRST GENUINE PHILOSOPHIC POEM.

The preceding criticism will not, I am aware, avail to overcome the prejudices of those who have made it a business to attack and ridicule Mr. Wordsworth's compositions.

Truth and prudence might be imaged as concentric circles. The poet may perhaps have passed beyond the latter, but he has confined himself far within the bounds of the former, in designating these critics, as too petulant to be passive to a genuine poet, and too feeble to grapple with him ;- men of palsied imaginations, in whose minds all healthy action is

« ПредишнаНапред »