The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - 249 страници This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Страница 9
... style , and the ways in which characters , for example , relate to norms to which a set of values is already attached : all these can be confirmed or denied . It follows that works of art relate dynamically to what their predecessors ...
... style , and the ways in which characters , for example , relate to norms to which a set of values is already attached : all these can be confirmed or denied . It follows that works of art relate dynamically to what their predecessors ...
Страница 164
... style : the exact matching of style to subject . If the subject is ugly , so should be the sound , vocabulary , ideas and rhyme that describe it . That matching is a principle of the poem : the onomatopoeic imitation of the corpse in ...
... style : the exact matching of style to subject . If the subject is ugly , so should be the sound , vocabulary , ideas and rhyme that describe it . That matching is a principle of the poem : the onomatopoeic imitation of the corpse in ...
Страница 178
... styles of oratorio and opera . Here the dramatic effect of the words has to be given full weight , and the music has to match their style as far as possible : isosyllabic writing , where one syllable gets one note , is much kinder to ...
... styles of oratorio and opera . Here the dramatic effect of the words has to be given full weight , and the music has to match their style as far as possible : isosyllabic writing , where one syllable gets one note , is much kinder to ...
Съдържание
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Авторско право | |
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Често срещани думи и фрази
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing