The Poetic Birth: Milton's Poems of 1645This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Страница 26
Music was , after all , a reflection on earth of the music of the spheres : the
mathematical relationship of those spheres expressed itself as musical tones and
notes which men could not hear because , as Milton says in At a Solemn Music ,
they ...
Music was , after all , a reflection on earth of the music of the spheres : the
mathematical relationship of those spheres expressed itself as musical tones and
notes which men could not hear because , as Milton says in At a Solemn Music ,
they ...
Страница 61
The confidence this argument shows is partly a consequence of the occasion of
its expression : he was fighting . Milton was not proof against self - doubt , even
while the faith in God ' s ultimate purpose for him never wavered . It is in private ...
The confidence this argument shows is partly a consequence of the occasion of
its expression : he was fighting . Milton was not proof against self - doubt , even
while the faith in God ' s ultimate purpose for him never wavered . It is in private ...
Страница 166
We are not asked to imagine the dawn or the evening ; we are asked to imagine
how they might be expressed in art . ... But I use this ugly expression in order to
distinguish between the Milton who wrote the poem and knew 166 The poems ...
We are not asked to imagine the dawn or the evening ; we are asked to imagine
how they might be expressed in art . ... But I use this ugly expression in order to
distinguish between the Milton who wrote the poem and knew 166 The poems ...
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The ceaseless round of study and reading | 20 |
The poetic vocation inspiration | 54 |
The presentation of the 1645 volume | 79 |
Авторско право | |
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