The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - 249 страници This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Страница 119
... Samson and needed a grand climax for the oratorio he drew not only on Samson Agonistes for the main plot , but also on At a Solemn Music for the elaborately magnificent final air , ' Let the Bright Seraphim ' , and the chorus , ' Let ...
... Samson and needed a grand climax for the oratorio he drew not only on Samson Agonistes for the main plot , but also on At a Solemn Music for the elaborately magnificent final air , ' Let the Bright Seraphim ' , and the chorus , ' Let ...
Страница 201
... Samson Agonistes shows that he could very well ) , but because he wanted it like that . We never learn the Lady's or the Brothers ' names , nor do we need to : what they represent and exemplify is far more important to the masque than ...
... Samson Agonistes shows that he could very well ) , but because he wanted it like that . We never learn the Lady's or the Brothers ' names , nor do we need to : what they represent and exemplify is far more important to the masque than ...
Страница 218
... Samson Agonistes , 84 , 119 , 140 , 147 , 201 St Paul's Cathedral , 24 St Paul's School , 19 , 22f . Sallust , 22 Salzillus , 39 , 56 , 63 sanguine humour , 128 , 129 Saturn , 140 ; rule of , see Golden Age Saturnine temperament , 129 ...
... Samson Agonistes , 84 , 119 , 140 , 147 , 201 St Paul's Cathedral , 24 St Paul's School , 19 , 22f . Sallust , 22 Salzillus , 39 , 56 , 63 sanguine humour , 128 , 129 Saturn , 140 ; rule of , see Golden Age Saturnine temperament , 129 ...
Съдържание
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Авторско право | |
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Често срещани думи и фрази
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing