Shakespeare and MarxOUP Oxford, 30.09.2004 г. - 176 страници Marxist cultural theory underlies much teaching and research in university departments of literature and has played a crucial role in the development of recent theoretical work. Feminism, New Historicism, cultural materialism, postcolonial theory, and queer theory all draw upon ideas about cultural production which can be traced to Marx, and significantly each also has a special relation with Renaissance literary studies. This book explores the past and continuing influence of Marx's ideas in work on Shakespeare. Marx's ideas about cultural production and its relation to economic production are clearly explained, together with the standard terminology and concepts such as base/superstructure, ideology, commodity fetishism, alienation, and reification. The influence of Marx's ideas on the theory and practice of Shakespeare criticism and performance is traced from the Victorian age to the present day. The continuing importance of these ideas is illustrated via new Marxist readings of King Lear, Hamlet, The Merchant of Venice, Timon of Athens, The Comedy of Errors, All's Well that Ends Well, and The Winter's Tale. |
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Страница 2
... rejection of E. M. W. Tillyard's rigid model of Elizabethan attitudes towards order, hierarchy, social stasis, and historical progress. In attempting to codify what a typical educated Elizabethan might think and feel about 2 Introduction.
... rejection of E. M. W. Tillyard's rigid model of Elizabethan attitudes towards order, hierarchy, social stasis, and historical progress. In attempting to codify what a typical educated Elizabethan might think and feel about 2 Introduction.
Страница 3
... rejection of the general principle that one might indeed be able to map it. In essence, Tillyard was guilty of a vulgar kind of Marxism, although by re-examination of his The Elizabethan World Picture (1943) I will show that it was less ...
... rejection of the general principle that one might indeed be able to map it. In essence, Tillyard was guilty of a vulgar kind of Marxism, although by re-examination of his The Elizabethan World Picture (1943) I will show that it was less ...
Страница 11
... rejecting Tillyardism. On the other hand, American New Historicism began with a book whose promising title of Renaissance Self-Fashioning (1980) doubly suggested that it would be about a person's ability to freely fashion his or her ...
... rejecting Tillyardism. On the other hand, American New Historicism began with a book whose promising title of Renaissance Self-Fashioning (1980) doubly suggested that it would be about a person's ability to freely fashion his or her ...
Страница 34
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Страница 45
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Съдържание
1 | |
7 | |
2 Marxs Influence on Shakespeare Studies to 1968 | 46 |
3 Marxs Influence on Shakespeare Studies since 1968 | 69 |
4 Shakespeare and Marx Today | 98 |
Marx and Genetics | 138 |
Further Reading | 150 |
Works Cited | 153 |
Index | 163 |
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Често срещани думи и фрази
action actor Alcibiades alienation Althusser Antipholus Antonio argued assertion audience Aumerle Bassanio become behaviour Bolingbroke bond bourgeois bourgeoisie Brecht called capitalism capitalist characters claim commodity concern consciousness criticism Cultural Materialism Derrida dialectic Dollimore dramatic ecocriticism economic Elizabethan existence feel feudalism forces genes genetic Georg Lukács Greenblatt Hamlet Henry Historicism human idealism ideas ideology individual insists kind King Lear labour labouring power language Levine Liar Paradox linguistics literary studies live Lukács Marx and Engels Marx's Marxist means meme Merchant of Venice nature objects Oxford particular performance philosophical play play's political principle production progress reality reification rejection relations relationship Renaissance Richard Richard II Russian Formalists Saussure Scott Cutler sense Shakespeare Shakespeare studies Shaw Shershow Shylock signified social structure superstructure theatre theory things thinking thought Tillyard Timon of Athens tion Williams word workers World Picture writing
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Страница 10 - The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rise legal and political superstructures and to which correspond definite forms of social consciousness.
Страница 48 - Is it possible Disdain should die while she hath such meet food to feed it as Signior Benedick? Courtesy itself must convert to disdain if you come in her presence.
Страница 29 - A commodity is therefore a mysterious thing, simply because in it the social character of men's labour appears to them as an objective character stamped upon the product of that labour...
Страница 120 - Seems, madam ! nay, it is ; I know not ' seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of...
Страница 10 - The mode of production in material life determines the general character of the social, political and spiritual processes of life. It is not the consciousness of men that determines their existence, but, on the contrary, their social existence determines their consciousness.