The British Cinema BookRobert Murphy British Film Institute, 2001 - 336 страници This text represents the progress made in exploring the history of British cinema, providing a comprehensive account of a dynamic and growing area in film studies. This second edition has been expanded and includes 12 new contributors. It extends coverage of topics such as British silent cinema in the 1920s, looking back at the British new wave, spectacle and the Boy's Own tradition in British cinema, the cinema of excess of the 1970s, British cinema and American aspirations; Celtic traditions in British cinema, the revival of the British gangster film, and the urban fairy tale in the late 1990s. |
Съдържание
British Cinema Saved British Cinema Doomed | 1 |
Early British Cinema Assessments | 9 |
Silent British Cinema Charles Barr | 11 |
Авторско право | |
55 други раздела не са показани
Други издания - Преглед на всички
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actors adventure film aesthetic American art cinema artists audience BBFC box-office Britain British cinema British Cinema London British film industry British Film Institute camera cent characters cinema-going Cinematograph comedy comic costume films crime critical cultural David Derek Jarman directors drama Ealing early Emeric Pressburger English Faber feature films film production film's Films Act Four Weddings gangster Gaumont-British genre girl Gregory's Girl Grierson heritage films hero Higson Hill History Hollywood horror films Jack James Jarman John John Grierson Korda Lindsay Anderson melodrama Michael Balcon Michael Powell narrative national cinema national identity period Peter Peter Greenaway played political popular Powell and Pressburger Press Pressburger quota Rank realism Richard Robert Murphy role Romantics Routledge screen script sequence sexual shot Sight and Sound social society stars Stoll story studio style success television theatre thriller tion tradition Trainspotting wartime Wave women working-class young