The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan TheatreUniversity of Chicago Press, 1996 - 227 страници Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and professional theater within the ideological and material framework of Elizabethan culture. He considers the role of the professional theater and theatricality in the cultural transformation that was concurrent with religious and socio-political change, and then concentrates upon the formal means by which Shakespeare's Elizabethan plays called into question the absolutist assertions of the Elizabethan state. Drawing dramatic examples from the genres of tragedy and history, Montrose finally focuses his cultural-historical perspective on A Midsummer Night's Dream. The Purpose of Playing elegantly demonstrates how language and literary imagination shape cultural value, belief, and understanding; social distinction and interaction; and political control and contestation. |
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... The Discord of This Concord 109 IX . Stories of the Night 124 X. The Imperial Votaress 151 XI . Bottom's Dream 179 EPILOGUE A Kingdom of Shadows 206 INDEX 213 Although only recently completed , this book has its origins CONTENTS.
... The Discord of This Concord 109 IX . Stories of the Night 124 X. The Imperial Votaress 151 XI . Bottom's Dream 179 EPILOGUE A Kingdom of Shadows 206 INDEX 213 Although only recently completed , this book has its origins CONTENTS.
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Shakespeare and the Cultural Politics of the Elizabethan Theatre Louis Montrose. Although only recently completed , this book has its origins in what sometimes seems to me a prior lifetime . In her continuous con- cern and attention ...
Shakespeare and the Cultural Politics of the Elizabethan Theatre Louis Montrose. Although only recently completed , this book has its origins in what sometimes seems to me a prior lifetime . In her continuous con- cern and attention ...
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... critical practice in the rest of the book . This metacritical essay syn- thesizes my response to , and position within , the theoretical and methodological debates of recent literary and cultural studies . The xii To the Reader.
... critical practice in the rest of the book . This metacritical essay syn- thesizes my response to , and position within , the theoretical and methodological debates of recent literary and cultural studies . The xii To the Reader.
Страница
Shakespeare and the Cultural Politics of the Elizabethan Theatre Louis Montrose. methodological debates of recent literary and cultural studies . The Purpose of Playing is intended as a contribution to the ongoing refigu- ration of the ...
Shakespeare and the Cultural Politics of the Elizabethan Theatre Louis Montrose. methodological debates of recent literary and cultural studies . The Purpose of Playing is intended as a contribution to the ongoing refigu- ration of the ...
Страница 2
... recent years , such per- spectives have posed a successful challenge to New Critical rhetori- cal analysis and positivist historical scholarship , which were hitherto the dominant paradigms in Anglo - American literary criticism . At ...
... recent years , such per- spectives have posed a successful challenge to New Critical rhetori- cal analysis and positivist historical scholarship , which were hitherto the dominant paradigms in Anglo - American literary criticism . At ...
Съдържание
The Reformation of Playing | 19 |
A Theatre of Changes | 30 |
Anatomies of Playing | 41 |
The Theatre the City and the Crowns | 53 |
From the Stage to the State | 66 |
The Power of Personation | 76 |
The CrossPurposes of Playing | 99 |
THE SHAPING FANTASIES OF A MIDSUMMER NIGHTS DREAM | 107 |
The Discord of This Concord | 109 |
Stories of the Night | 124 |
The Imperial Votaress | 151 |
Bottoms Dream | 179 |
A Kingdom of Shadows | 206 |
213 | |
Често срещани думи и фрази
actors Amazons Andrew Gurr articulation artisans audience authority Bottom Bottom's Dream Chambers civic comedy comic commercial theatre construed context Corpus Christi Corpus Christi play court courtly critical Cynthia discourse dominant drama Earl Early Modern England Elizabe Elizabethan culture Elizabethan Stage Elizabethan theatre Endimion English entertainments Essex fantasy forms gender Globe Greenblatt Hamlet hath Henry Hermia Hippolyta Hippolytus ideological King late Elizabethan literary London Lord Chamberlain's Lord Chamberlain's Men Majestie marriage masculine material metatheatrical Midsummer Night's Dream modes mother Oberon Oxford patriarchal performance perspective play's playes playhouse playwright political popular practice Prince printed Privy Council professional players professional theatre public theatre purpose of playing quarto Queen Elizabeth quotation relationship Renaissance representation Revels Richard Richard II royal sexual Shakespeare's Shakespeare's play social society speare's Stephen Greenblatt Stephen Orgel structure studies subjects subversion suggest theatrical Theseus Theseus's tion Titania traditional Tudor women