The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan TheatreUniversity of Chicago Press, 1996 - 227 страници Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and professional theater within the ideological and material framework of Elizabethan culture. He considers the role of the professional theater and theatricality in the cultural transformation that was concurrent with religious and socio-political change, and then concentrates upon the formal means by which Shakespeare's Elizabethan plays called into question the absolutist assertions of the Elizabethan state. Drawing dramatic examples from the genres of tragedy and history, Montrose finally focuses his cultural-historical perspective on A Midsummer Night's Dream. The Purpose of Playing elegantly demonstrates how language and literary imagination shape cultural value, belief, and understanding; social distinction and interaction; and political control and contestation. |
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Страница
... modes of cultural , political , and socioeco- nomic organization and experience . In the second chapter of Part Two , I discuss Elizabethan constructions of the domestic economy and marital relations , and their articulation with ...
... modes of cultural , political , and socioeco- nomic organization and experience . In the second chapter of Part Two , I discuss Elizabethan constructions of the domestic economy and marital relations , and their articulation with ...
Страница
... modes of writing , and to resituate discursive practices in relationship to the social and political institutions ... mode of crit- ical practice in which formal and ideological considerations are insep- arable . By emphasizing this ...
... modes of writing , and to resituate discursive practices in relationship to the social and political institutions ... mode of crit- ical practice in which formal and ideological considerations are insep- arable . By emphasizing this ...
Страница 1
... modes of cultural work . What have often been taken to be self - contained aesthetic and academic issues are now being re- understood as inextricably though complexly linked to other social dis- courses , practices , and institutions ...
... modes of cultural work . What have often been taken to be self - contained aesthetic and academic issues are now being re- understood as inextricably though complexly linked to other social dis- courses , practices , and institutions ...
Страница 2
... modes of criticism have variously reacted against and contributed to the intellectual ferment of the past two decades . This ferment , summed up in the word theory , has challenged the assumptions and procedures of normative discourses ...
... modes of criticism have variously reacted against and contributed to the intellectual ferment of the past two decades . This ferment , summed up in the word theory , has challenged the assumptions and procedures of normative discourses ...
Страница 3
... modes of production and the succes- sion and destiny of the various human social formations " ; this he projects as the " untranscendable horizon " of interpretive activity , subsuming " apparently antago- nistic or incommensurable ...
... modes of production and the succes- sion and destiny of the various human social formations " ; this he projects as the " untranscendable horizon " of interpretive activity , subsuming " apparently antago- nistic or incommensurable ...
Съдържание
The Reformation of Playing | 19 |
A Theatre of Changes | 30 |
Anatomies of Playing | 41 |
The Theatre the City and the Crowns | 53 |
From the Stage to the State | 66 |
The Power of Personation | 76 |
The CrossPurposes of Playing | 99 |
THE SHAPING FANTASIES OF A MIDSUMMER NIGHTS DREAM | 107 |
The Discord of This Concord | 109 |
Stories of the Night | 124 |
The Imperial Votaress | 151 |
Bottoms Dream | 179 |
A Kingdom of Shadows | 206 |
213 | |
Често срещани думи и фрази
actors Amazons Andrew Gurr articulation artisans audience authority Bottom Bottom's Dream Chambers civic comedy comic commercial theatre construed context Corpus Christi Corpus Christi play court courtly critical Cynthia discourse dominant drama Earl Early Modern England Elizabe Elizabethan culture Elizabethan Stage Elizabethan theatre Endimion English entertainments Essex fantasy forms gender Globe Greenblatt Hamlet hath Henry Hermia Hippolyta Hippolytus ideological King late Elizabethan literary London Lord Chamberlain's Lord Chamberlain's Men Majestie marriage masculine material metatheatrical Midsummer Night's Dream modes mother Oberon Oxford patriarchal performance perspective play's playes playhouse playwright political popular practice Prince printed Privy Council professional players professional theatre public theatre purpose of playing quarto Queen Elizabeth quotation relationship Renaissance representation Revels Richard Richard II royal sexual Shakespeare's Shakespeare's play social society speare's Stephen Greenblatt Stephen Orgel structure studies subjects subversion suggest theatrical Theseus Theseus's tion Titania traditional Tudor women