Façade as Spectacle: Ritual and Ideology at Wells CathedralBRILL, 1.01.2004 г. - 260 страници This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century English Church liturgy and politics. Carolyn Malone posits that architectural motifs, as signs, complemented not only the façade s sculptural program of the Church Triumphant but also its use during liturgical processions. Interpreted as an ideological construct, the façade s design is related to theological change, liturgical innovation and political strategy, as well as to the conjuncture of several major historical and cultural events of the 1220s. As part of the Church s empowering ritual, the façade expressed the reforming views of the Fourth Lateran Council, promoted Wells as the seat the diocese and proclaimed the covenant between Church and State in England following Magna Carta. |
Съдържание
Introduction | 1 |
the bishops homily and the master masons response | 15 |
Chapter Two The Church Triumphant | 43 |
Chapter Three The Production of Signs | 85 |
ChapterFour LiturgicalPractice | 131 |
ChapterFive EucharisticPractice | 157 |
ChapterSix IdeologicalStrategies | 189 |
Conclusion | 225 |
239 | |
255 | |
Други издания - Преглед на всички
Façade as Spectacle: Ritual and Ideology at Wells Cathedral Carolyn Marino Malone Ограничен достъп - 2004 |
Често срещани думи и фрази
According Adam Ages altar angels Anglo-Saxon architectural associated Bath believes bishops blessed body building buttresses canons Canterbury Cathedral central Chapter Chartres choir screen Christ Church City clerics construction Coronation corpus council crown deacon decorated depicted door earlier early east Easter effigies Elias England English Eucharist explained façade faithful figures frame front gable Glastonbury heaven Heavenly Heavenly Jerusalem Henry History holy Hope Hugh identified included indicate Innocent interpreted Jocelin John king king’s Langton later Lincoln liturgical Lock London lower Magna Malone Mass meaning medieval motifs nave niches originally Paris Peter points portal present probably procession quatrefoils refers represented resurrection saints Salisbury Sarum Missal sculptural seal seems sermons shrine side signs similar statues suggested Sunday Testament thirteenth century tomb tower translation twelfth twelfth-century Virgin vision wall wearing zone