The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
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Страница 17
... although not purely nonsensical , yet clearly wrong , and at the same time such
as are hardly to be sufficiently accounted for as the natural mistakes of the
compositor . Sometimes what is evidently the true word or expression has given
place ...
... although not purely nonsensical , yet clearly wrong , and at the same time such
as are hardly to be sufficiently accounted for as the natural mistakes of the
compositor . Sometimes what is evidently the true word or expression has given
place ...
Страница 36
... among the slightest and most rapidly uttered in the language , and belonging
syntactically and in natural utterance to the succeeding line . We may be said to
have the strongest or most illustrious exemplifications of this mode of versifying in
...
... among the slightest and most rapidly uttered in the language , and belonging
syntactically and in natural utterance to the succeeding line . We may be said to
have the strongest or most illustrious exemplifications of this mode of versifying in
...
Страница 37
... rhythmical fulness or roundness , and the form of dialogue , always demanding
a natural ease and freedom , will justify even irregularities and audacities of
expression which might be rejected by the more stately march of epic
composition .
... rhythmical fulness or roundness , and the form of dialogue , always demanding
a natural ease and freedom , will justify even irregularities and audacities of
expression which might be rejected by the more stately march of epic
composition .
Страница 43
Nothing else would satisfy him than to reduce the prosody of the natural dramatic
blank verse of Shakespeare , the characteristic product of the sixteenth century ,
to the standard of the trim rhyming couplets into which Pope shaped his ...
Nothing else would satisfy him than to reduce the prosody of the natural dramatic
blank verse of Shakespeare , the characteristic product of the sixteenth century ,
to the standard of the trim rhyming couplets into which Pope shaped his ...
Страница 70
When these prodigies Do so conjointly meet , let not men say , These are their
reasons , — they are natural ; For , I believe , they are portentous things Unto the
climate that they point upon . Cic . Indeed , it is a strange - disposed time : But
men ...
When these prodigies Do so conjointly meet , let not men say , These are their
reasons , — they are natural ; For , I believe , they are portentous things Unto the
climate that they point upon . Cic . Indeed , it is a strange - disposed time : But
men ...
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according Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly Compare complete copies correction course death doth doubt Dyce edition editors English Enter expression fear fire Folio French give given hand hath head hear heart Henry hold honor Hudson instance Julius Cæsar kind King language Latin least live look lord lost Lucius manner March Mark master meaning merely mind natural never night noble occurs once original passage perhaps person Play present printed probably reading reason regard remarkable Roman Rome Saxon SCENE Second seems sense Shake Shakespeare sometimes speak speech spirit stage direction stand syllable taken tell thee thing thou thought tion true verb verse White word writers