Patterns in Shakespearian TragedyRoutledge, 13.09.2013 г. - 224 страници First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Страница 2
... play with an abstract idea . He began probably with a dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other ...
... play with an abstract idea . He began probably with a dramatic situation , but it was one he chose because he saw implicit in it an idea with which he was concerned . This situation he analysed and explored , com- bined it with other ...
Страница 3
... plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting ... play , but in the operations of dramatic character realistically appraised . Such analysis could lead only to ...
... plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting ... play , but in the operations of dramatic character realistically appraised . Such analysis could lead only to ...
Страница 7
... play applies imaginative criteria to intellectual concepts . Out of this , if the dramatist is a great one , must ... plays , it is also true that there is a fundamental difference between a view of individual man derived from an ...
... play applies imaginative criteria to intellectual concepts . Out of this , if the dramatist is a great one , must ... plays , it is also true that there is a fundamental difference between a view of individual man derived from an ...
Страница 11
... plays will be in an order as close to that of their composition as can be determined , so that Shakespeare's pro- gression from play to play may be observed . Troilus and Cressida will not be included , for although there is strong ...
... plays will be in an order as close to that of their composition as can be determined , so that Shakespeare's pro- gression from play to play may be observed . Troilus and Cressida will not be included , for although there is strong ...
Страница 12
... play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character and action into a total dramatic unity designed to embody intellectual content in specific ...
... play grows richer in moral and in- tellectual vision , the emphasis of the chapters will be upon Shake- speare's conscious ordering of character and action into a total dramatic unity designed to embody intellectual content in specific ...
Съдържание
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Често срещани думи и фрази
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York