Patterns in Shakespearian TragedyRoutledge, 13.09.2013 г. - 224 страници First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Страница 9
... never be in science . A vision which comprehended no order or meaning in the universe could not be tragedy at all . It would be mere calamity such as we read about in the newspapers every day , without dramatic significance . Tragedy ...
... never be in science . A vision which comprehended no order or meaning in the universe could not be tragedy at all . It would be mere calamity such as we read about in the newspapers every day , without dramatic significance . Tragedy ...
Страница 14
... never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard III Shakespeare finds himself with a tragic hero who has already been ...
... never was ; he is groping towards a dramatic formula which may express significant truth about the relation of mankind to the forces of evil in the world . In Richard III Shakespeare finds himself with a tragic hero who has already been ...
Страница 18
... never know remorse or penance . He remains defiant to the very end : Ten thousand worse than ever yet I did Would I perform , if I might have my will : If one good deed in all my life I did , I do repent it from my very soul . ( V.III ...
... never know remorse or penance . He remains defiant to the very end : Ten thousand worse than ever yet I did Would I perform , if I might have my will : If one good deed in all my life I did , I do repent it from my very soul . ( V.III ...
Страница 19
... never be penitent , a suggestion Shakespeare was further to develop in Iago . As a dramatic embodiment of a specific vice , the lechery which governs Tamora , Aaron affords the first clear example of the symbolic use of character which ...
... never be penitent , a suggestion Shakespeare was further to develop in Iago . As a dramatic embodiment of a specific vice , the lechery which governs Tamora , Aaron affords the first clear example of the symbolic use of character which ...
Страница 23
... never- theless can perceive some movement in this direction . As a symbol of evil , Richard might have been a wooden , lifeless figure , but Shakespeare has created in him the illusion of an intriguing indi- viduality . Richard is more ...
... never- theless can perceive some movement in this direction . As a symbol of evil , Richard might have been a wooden , lifeless figure , but Shakespeare has created in him the illusion of an intriguing indi- viduality . Richard is more ...
Съдържание
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Често срещани думи и фрази
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York