The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10.11.2006 г. - 172 страници
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Страница xx
... scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. (Jaques, As You Like It Act II scene vii) In a personal interview with Katharine ...
... scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. (Jaques, As You Like It Act II scene vii) In a personal interview with Katharine ...
Страница xxxii
... scene could the most satisfying life, which is at once the simplest and noblest, be led. Shakespeare presented both the ideal and the real in As You Like It in startling juxtaposition. The story is set in the Forest of Arden in medieval ...
... scene could the most satisfying life, which is at once the simplest and noblest, be led. Shakespeare presented both the ideal and the real in As You Like It in startling juxtaposition. The story is set in the Forest of Arden in medieval ...
Страница xxxv
... Scenes are no longer sharply defined but follow one another in virtually unbroken sequences ... Continuity of performance is taken for attention is on essentials , on the players and the play ( Sprague 152-153 ) . It was not until the ...
... Scenes are no longer sharply defined but follow one another in virtually unbroken sequences ... Continuity of performance is taken for attention is on essentials , on the players and the play ( Sprague 152-153 ) . It was not until the ...
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Съдържание
CHAPTER ONE I | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE CONCLUSIONS | 28 |
CHAPTER FOUR KATHARINE HEPBURNS LEGACY | 34 |
CHAPTER FIVE PERFORMING ARTS RESEARCH | 56 |
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Academy Award acting technique actors Aldwych Theatre Andrew Leigh Art/Dance/Drama/Music/Writing artist audience best actress California Coast University career cast Celia Chapter character Cort create cultural curriculum Date of Access Decade DiEdwardo direction director drama Edith Evans played England Esme Church Evans played Rosalind Forest of Arden Golden Pond journal Kate Katharine Hepburn Katharine Hepburn Nominated legacy of Hepburn Legacy of Katharine Lehigh University Library Lincoln Center literary London Observer MaryAnn Pasda Michael Benthall Michael Elliott Miss Evans Miss Hepburn Miss Redgrave Morning Glory Nominated for Academy Old Vic Online Orlando Paradigm for Teaching pastoral comedy performance of Rosalind Performing Arts Research portrayal of Rosalind portrayed present producing Shakespeare reader Review of Edith romantic Shakespearean stage history Stanislavsky System Stratford style success technical television Theatre Arts Theatre Guild Theatre History theatrical thesis twentieth century unified Vanessa Redgrave William Shakespeare woman women writing York City York Theatre Critics
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Страница xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.