The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10.11.2006 г. - 172 страници
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Страница xv
... and Centers in the United States and England Appendix VII Online Resources xvii xviii xix xxxi 13 20 22 25 58 59 60 61 63 65 68 CHAPTER SIX The Importance of Stage History Synthesis and Transformation xv.
... and Centers in the United States and England Appendix VII Online Resources xvii xviii xix xxxi 13 20 22 25 58 59 60 61 63 65 68 CHAPTER SIX The Importance of Stage History Synthesis and Transformation xv.
Страница xviii
... England in 1926 under that direction of Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave ...
... England in 1926 under that direction of Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave ...
Страница xxi
... promote their organization. They shipped Mr. Benthall from England to make an impression on American audiences that the Theatre Guild's presentation of As You Like It would be a quality production because they employed xxi.
... promote their organization. They shipped Mr. Benthall from England to make an impression on American audiences that the Theatre Guild's presentation of As You Like It would be a quality production because they employed xxi.
Страница xxvii
... England. Conclusively, stage history is a marvelous topic for Lehigh University at this time when Lehigh is moving toward an arts centered curriculum. My book is current both due to my popularity in our local community xxvii.
... England. Conclusively, stage history is a marvelous topic for Lehigh University at this time when Lehigh is moving toward an arts centered curriculum. My book is current both due to my popularity in our local community xxvii.
Страница xxxi
... England in 1926 and again in 1937; Katharine Hepburn portrayed Rosalind at the Cort Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this ...
... England in 1926 and again in 1937; Katharine Hepburn portrayed Rosalind at the Cort Theatre in New York City in 1950, and Vanessa Redgrave created the role at the Aldwych Theatre in London, England in 1961. In the introduction to this ...
Съдържание
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
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Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
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Страница xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.