Double Vision: Moral Philosophy and Shakespearean DramaPrinceton University Press, 8.03.2011 г. - 256 страници Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. |
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... articulations of the same philosophical insight will typically draw the philosophical critic into a roughly formalist stance. Irreducible “aesthetic experience” will strongly suggest itself. Culturally oriented Shakespeareans will worry ...
... articulating erotic bonding. The beloved, likened to one's expressed language, is being fantasized as the lover's externalized and objectified thought, which is also disturbingly out of control. Beyond ownership or love, figuring ...
... articulate the distinctiveness of literary discourse (figurative/literal, particular/general, emotions/thoughts) are no longer generally accepted. One cannot then claim that emotional appeals, particular descriptions, or figurative ...
... articulation can thereby form or re-form a philosophical position.8 But descriptions of this sort require nothing as intense as involvement with literature. Citing or paraphrasing the appropriate sentences is enough. Appeals to ...
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