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To whom all tongues and lands were known,

And yet a lover of his own;

With many a social virtue graced,
And yet a friend of solitude;

A man of such a genial mood
The heart of all things he embraced,
And yet of such fastidious taste,
He never found the best too good.
Books were his passion and delight,
And in his upper room at home
Stood many a rare and sumptuous tome,
In vellum bound, with gold bedight,
Great volumes garmented in white,
Recalling Florence, Pisa, Rome.
He loved the twilight that surrounds
The border-land of old romance;
Where glitter hauberk, helm, and lance,
And banner waves, and trumpet sounds,
And ladies ride with hawk on wrist,
And mighty warriors sweep along,
Magnified by the purple mist,
The dusk of centuries and of song.
The chronicles of Charlemagne,
Of Merlin and the Mort d'Arthure,
Mingled together in his brain

With tales of Flores and Blanchefleur,
Sir Ferumbras, Sir Eglamour,
Sir Launcelot, Sir Morgadour,
Sir Guy, Sir Bevis, Sir Gawain.

A young Sicilian, too, was there;-
In sight of Etna born and bred,
Some breath of its volcanic air

Was glowing in his heart and brain,
And, being rebellious to his liege,
After Palermo's fatal siege,
Across the western seas he fled,
In good King Bomba's happy reign.
His face was like a summer night,
All flooded with a dusky light;

His hands were small; his teeth shone white
As sea-shells, when he smiled or spoke;

His sinews supple and strong as oak;

Clean shaven was he as a priest,
Who at the mass on Sunday sings,

Save that upon his upper lip

His beard, a good palm's length at least,
Level and pointed at the tip,

Shot sideways, like a swallow's wings.

The poets read he o'er and o'er,

And most of all the Immortal Four
Of Italy; and next to those,
The story-telling bard of prose,
Who wrote the joyous Tuscan tales
Of the Decameron, that make
Fiesole's green hills and vales
Remembered for Boccaccio's sake.
Much too of music was his thought;
The melodies and measures fraught
With sunshine and the open air,
Of vineyards and the singing sea
Of his beloved Sicily;

And much it pleased him to peruse
The songs of the Sicilian muse
Bucolic songs by Meli sung
In the familiar peasant tongue,

That made men say,

"Behold! once more

The pitying gods to earth restore
Theocritus of Syracuse!"

A Spanish Jew from Alicant

With aspect grand and grave was there;
Vender of silks and fabrics rare,

And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abrahanı or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive skin,
And, wildly tossed from cheeks and chin,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are

By Pierre Alphonse he knew by heart,
And it was rumored he could say
The Parables of Sandabar,

And all the Fables of Pilpay,

Or if not all, the greater part.

Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance

He heard the solemn sackbut play,'
And saw the Jewish maidens dance.

A Theologian, from the school

Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the creed,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as is the love of God,
And ample as the wants of man.

A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,

The gleam, the glory, the swift flight,
Of thoughts so sudden, that they seem
The revelations of a dream,

All these were his; but with them came
No envy of another's fame;

He did not find his sleep less sweet
For music in some neighboring street,
Nor rustling hear in every breeze

The laurels of Miltiades.

Honor and blessings on his head
While living, good report when dead,

Who, not too eager for renown,
Accepts, but does not clutch, the crown!

Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe,
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted by Raphael, he seemed.
He lived in that ideal world

Whose language is not speech, but song;
Around him evermore the throng

Of elves and sprites their dances whirled;
The Strömkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumor of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,

Voices of eld, like trumpets blowing,
Old ballads, and wild melodies

Through mist and darkness pouring forth,
Like Elivagar's river flowing

Out of the glaciers of the North.

The instrument on which he played

Was in Cremona's workshops made,

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