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admired Æneid afterwards appears beauties better blank verse cæsura called censured character Charles Charles Dryden composition Comus confessed considered Cowley criticism death defend delight diction dramatick Dryden Duke Earl elegance English English poetry epick Euripides excellence fame fancy favour fays fense friends genius Heaven heroick honour Hudibras images imagination imitation John Dryden judgement Juvenal kind King knowledge known labour Lady language Latin learning lines Lord Lord Roscommon metaphysical poets Milton mind nature never nihil numbers opinion Paradise Lost Parliament passions performance perhaps perusal Philips Pindar play pleasure poem poet poetical poetry pounds praise preface produced publick published reader reason relates remarks reputation rhyme satire seems sent sentiments shew shewn sirst sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses Virgil virtue Waller words write written wrote
Страница 100 - ... devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases...
Страница 394 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled : every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid : the whole is airy, animated, and vigorous; what is little, is gay ; what is great, is splendid.
Страница 77 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Страница 19 - If the father of criticism has rightly denominated poetry, an imitative art, these writers will, without great wrong, lose their right to the name of poets for they cannot be said to have imitated any thing; they neither copied nature nor life; neither painted the forms of matter, nor represented the operations of intellect.
Страница 275 - The topics of devotion are few, and being few are universally known ; but, few as they are, they can be made no more ; they can receive no grace from novelty of sentiment, and very little from novelty of expression.
Страница 28 - On a round ball A workman that hath copies by, can lay An Europe, Afric, and an Asia, And quickly make that, which was nothing, all, So doth each tear, Which thee doth wear, A globe, yea world by that impression grow, Till thy tears mixt with mine do overflow This world, by waters sent from thee, my heaven dissolved so.
Страница 387 - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying them.
Страница 159 - The song of Comus has airiness and jollity ; but, what may recommend Milton's morals as well as his poetry, the invitations to pleasure are so general, that they excite no distinct images of corrupt enjoyment, and take no dangerous hold on the fancy.
Страница 417 - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.