The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
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Страница 33
It is needless to observe , that both in Shakespeare and in all our other writers of
verse , we have abundance of lines broken by pauses of all lengths without any
such effect being thereby produced as is here assumed . If the pause be really ...
It is needless to observe , that both in Shakespeare and in all our other writers of
verse , we have abundance of lines broken by pauses of all lengths without any
such effect being thereby produced as is here assumed . If the pause be really ...
Страница 46
The resemblance , in fact , is no greater than would be almost sure to occur in the
case of any two writers in verse , however widely remote in point of genius ,
taking up the same thought , which , like the one we have here , is in itself almost
...
The resemblance , in fact , is no greater than would be almost sure to occur in the
case of any two writers in verse , however widely remote in point of genius ,
taking up the same thought , which , like the one we have here , is in itself almost
...
Страница 137
the agent , and the ing for the verbal act ) still adhered to by the Scottish writers . [
One might infer from this statement that the distinction was uniformly regarded by
Scottish writers of the sixteenth century . What Mr . Taylor says is this : “ Though ...
the agent , and the ing for the verbal act ) still adhered to by the Scottish writers . [
One might infer from this statement that the distinction was uniformly regarded by
Scottish writers of the sixteenth century . What Mr . Taylor says is this : “ Though ...
Страница 142
In the do kiss we have a common archaism , the retention of the auxiliary , now
come to be regarded , when it is not emphatic , as a pleonasm enfeebling the
expression , and consequently denied alike to the writer of prose and to the writer
of ...
In the do kiss we have a common archaism , the retention of the auxiliary , now
come to be regarded , when it is not emphatic , as a pleonasm enfeebling the
expression , and consequently denied alike to the writer of prose and to the writer
of ...
Страница 146
was used by the writers of the last ( 17th ) century to express a consequence ,
instead of so - - that . Swift [ who died 1745 ] , I believe , is the last of our good
writers who has frequently used this manner of expression . ” 44 . Over your
friend that ...
was used by the writers of the last ( 17th ) century to express a consequence ,
instead of so - - that . Swift [ who died 1745 ] , I believe , is the last of our good
writers who has frequently used this manner of expression . ” 44 . Over your
friend that ...
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according Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly Compare copies correction course death doth doubt Dyce edition editors English Enter expression eyes fear fire Folio French give given hand hath head hear heart Henry hold honor Hudson instance Julius Cæsar kind King language Latin least live look lord lost Lucius manner March Mark matter meaning merely mind natural never night noble occurs once original passage perhaps person Play present printed probably reading reason regard remarkable Roman Rome Saxon SCENE Second seems sense Shake Shakespeare sometimes speak speech spirit stage direction stand supposed syllable taken tell thee thing Third thou thought tion true verb verse White word writers
Библиография
| Заглавие | The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar The English of Shakespeare: Illustrated in a Philological Commentary of His Julius Cæsar, George Lillie Craik |
| Автор | George Lillie Craik |
| Редактор | William James Rolfe |
| Издател | E. Ginn, 1869 |
| Оригиналът е от | Харвардският университет |
| Цифровизирана на | 24 апр 2008 |
| Брой страници | 386 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |