The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
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Страница ix
In this attempt to illustrate the ENGLISH OF SHAKESPEARE , I would be
understood to have had a twofold purpose , in conformity with the title of the
volume , which would naturally be taken to promise something of exposition in
regard both to ...
In this attempt to illustrate the ENGLISH OF SHAKESPEARE , I would be
understood to have had a twofold purpose , in conformity with the title of the
volume , which would naturally be taken to promise something of exposition in
regard both to ...
Страница 17
... and therefore certainly corrupt , or , although not purely nonsensical , yet
clearly wrong , and at the same time such as are hardly to be sufficiently
accounted for as the natural mistakes of the compositor . Sometimes what is
evidently the true ...
... and therefore certainly corrupt , or , although not purely nonsensical , yet
clearly wrong , and at the same time such as are hardly to be sufficiently
accounted for as the natural mistakes of the compositor . Sometimes what is
evidently the true ...
Страница 19
Such a labor is only to be naturally accounted for by regarding it as that of the
possessor of a valued but very inaccurately printed book , who had obtained the
means of collating it with and correcting it by. with the Quarto of 1613 leaves no ...
Such a labor is only to be naturally accounted for by regarding it as that of the
possessor of a valued but very inaccurately printed book , who had obtained the
means of collating it with and correcting it by. with the Quarto of 1613 leaves no ...
Страница 36
... among the slightest and most rapidly uttered in the language , and belonging
syntactically and in natural utterance to the succeeding line . We may be said to
have the strongest or most illustrious exemplifications of this mode of versifying in
...
... among the slightest and most rapidly uttered in the language , and belonging
syntactically and in natural utterance to the succeeding line . We may be said to
have the strongest or most illustrious exemplifications of this mode of versifying in
...
Страница 37
... rhythmical fulness or roundness , and the form of dialogue , always demanding
a natural ease and freedom , will justify even irregularities and audacities of
expression which might be rejected by the more stately march of epic
composition .
... rhythmical fulness or roundness , and the form of dialogue , always demanding
a natural ease and freedom , will justify even irregularities and audacities of
expression which might be rejected by the more stately march of epic
composition .
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Често срещани думи и фрази
according annotator Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly Compare copies correction course death doth doubt Dyce edition editors English Enter expression fear fire Folio French give given hand hath head hear heart Henry hold honor Hudson instance Julius Cæsar kind King language Latin least live look lord lost Lucius manner March Mark matter meaning merely mind natural never night noble observed occurs once original passage perhaps person Play present printed probably reading reason regard remarkable Roman Rome Saxon SCENE Second seems sense Shake Shakespeare sometimes speak speech spirit stage direction stand syllable taken tell thee thing Third thou thought tion true verb verse White word writers
Библиография
| Заглавие | The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
| Автор | George Lillie Craik |
| Редактор | William James Rolfe |
| Издател | E. Ginn, 1869 |
| Оригиналът е от | Харвардският университет |
| Цифровизирана на | 24 апр 2008 |
| Брой страници | 386 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |