The English of Shakespeare: Illustrated in a Philological Commentary on His Julius Caesar |
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Страница ix
In this attempt to illustrate the ENGLISH OF SHAKESPEARE , I would be understood to have had a twofold purpose , in conformity with the title of the volume , which would naturally be taken to promise something of exposition in regard ...
In this attempt to illustrate the ENGLISH OF SHAKESPEARE , I would be understood to have had a twofold purpose , in conformity with the title of the volume , which would naturally be taken to promise something of exposition in regard ...
Страница 17
... and therefore certainly corrupt , or , although not purely nonsensical , yet clearly wrong , and at the same time such as are hardly to be sufficiently accounted for as the natural mistakes of the compositor .
... and therefore certainly corrupt , or , although not purely nonsensical , yet clearly wrong , and at the same time such as are hardly to be sufficiently accounted for as the natural mistakes of the compositor .
Страница 19
Such a labor is only to be naturally accounted for by regarding it as that of the possessor of a valued but very inaccurately printed book , who had obtained 4 the means of collating it with and correcting it by.
Such a labor is only to be naturally accounted for by regarding it as that of the possessor of a valued but very inaccurately printed book , who had obtained 4 the means of collating it with and correcting it by.
Страница 36
belongs , but a separate monosyllabic word , frequently one , such as and , but , if , or , of , even the , or a , or an , among the slightest and most rapidly uttered in the language , and belonging syntactically and in natural ...
belongs , but a separate monosyllabic word , frequently one , such as and , but , if , or , of , even the , or a , or an , among the slightest and most rapidly uttered in the language , and belonging syntactically and in natural ...
Страница 37
... fulness or roundness , and the form of dialogue , always demanding a natural ease and freedom , will justify even irregularities and audacities of expression which might be rejected by the more stately march of epic composition .
... fulness or roundness , and the form of dialogue , always demanding a natural ease and freedom , will justify even irregularities and audacities of expression which might be rejected by the more stately march of epic composition .
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according Antony appear authority bear believe better blood Brutus Cæsar called Casca Cassius Collier common commonly Compare copies correction course death doth doubt Dyce edition editors English Enter expression eyes fear fire Folio French give given hand hath head hear heart Henry hold honor Hudson instance Julius Cæsar kind King language Latin least live look lord lost Lucius manner March Mark matter meaning merely mind natural never night noble occurs once original passage perhaps person Play present printed probably reading reason regard remarkable Roman Rome Saxon SCENE Second seems sense Shake Shakespeare sometimes speak speech spirit stage direction stand supposed syllable taken tell thee thing Third thou thought tion true verb verse White word writers