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Where Science, prank'd in tissued veft,
By Reason, Pride, and Fancy dreft,
Comes like a bride, fo trim array'd,
To wed with Doubt in Plato's fhade!

When the mind goes in pursuit of visionary systems, it is not far from the regions of doubt; and the greater its capacity to think abstractedly, to reason and refine, the more it will be exposed to and bewildered in uncertainty. From an enthusiastic warmth of temper, indeed, we may for a while be encouraged to perfift in fome favourite doctrine, or to adhere to fome adopted fyftem; but when that enthufiafm, which is founded on the vivacity of the paffions, gradually cools and dies away with them, the opinions it fupported drop from us, and we are thrown upon the inhospitable shore of doubt.-A strik

ing

ing proof of the neceffity of fome moral rule of wisdom and virtue, and fome system of happiness established by unerring knowledge and unlimited power.

In the poet's addrefs to Humour in this ode, there is one image of fingular beauty and propriety. The ornaments in the hair of Wit are of fuch a nature, and disposed in fuch a manner, as to be perfectly fymbolical and characteristic:

Me too amidst thy band admit,

There, where the young-ey'd healthful
Wit,

(Whofe jewels in his crifped hair
Are plac'd each other's beams to share,
Whom no delights from thee divide)
In laughter loos'd attends thy fide.

Nothing could be more expreffive of wit, which confifts in a happy collifion of com-

parative

parative and relative images, than this reciprocal reflection of light from the difpofition of the jewels.

O Humour, thou whofe name is known
To Britain's favour'd ifle alone!

The author could only mean to apply this to the time when he wrote, fince other nations had produced works of great humour, as he himself acknowledges afterwards.

By old Miletus, &c.

By all you taught the Tuscan maids, &c.

The Milefian and Tufcan romances were by no means distinguished for humour, but as they were the models of that species of writing in which humour was afterwards employed, they are, probably for that reason only, mentioned here.

M

I

THE PASSION S.

AN ODE FOR MUSIC.

F the mufic, which was compofed for this

ode, had equal merit with the ode itself,

it must have been the most excellent performance of the kind, in which poetry and mufic have, in modern times, united. Other pieces of the fame nature have derived their greatest reputation from the perfection of the mufic that accompanied them, having in themselves little more merit than that of an ordinary ballad: but in this we have the whole foul and power of poetry-Expreffion that, even without the aid of mufic, ftrikes to the heart; and imagery of power enough to transport the attention without the forceful alliance of correfponding

refponding founds! what, then, must have been the effect of thefe united !

It is very obfervable that though the measure is the fame, in which the mufical efforts of fear, anger and despair are described, yet by the variation of the cadence, the character and operation of each is strongly expreffed: thus particularly of Despair :

With woeful measures wan Despair-
Low fullen founds his grief beguil'd,

A folemn, ftrange and mingled air,

'Twas fad by fits; by ftarts 'twas wild.

He must be a very unfkilful composer who could not catch the power of imitative harmony from these lines!

The picture of Hope that follows this is beautiful almost beyond imitation. By the united

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