An Introduction to Literature, Част 1Herbert Barrows, Hubert C. Heffner, Gordon Norton Ray, John Ciardi, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 349
... sense , finally , the play as a whole is the rendering of a thought . Thought in the sense used earlier is the basic material out of which playwrights construct characters ; thought as the argument of the whole play is an element of the ...
... sense , finally , the play as a whole is the rendering of a thought . Thought in the sense used earlier is the basic material out of which playwrights construct characters ; thought as the argument of the whole play is an element of the ...
Страница 549
... sense in it , when man is so poorly constructed from the physiological point of view , when the vast majority of us ... senses , and when he dies only the five senses that we know perish with him , and the other ninety - five remain ...
... sense in it , when man is so poorly constructed from the physiological point of view , when the vast majority of us ... senses , and when he dies only the five senses that we know perish with him , and the other ninety - five remain ...
Страница 614
... sense of the ordinary and commonplace . How does he accomplish this ? Why is it necessary ? 2. Later the Father argues that " Characters " are more real than living persons . What arguments does he advance for this claim ? Within the ...
... sense of the ordinary and commonplace . How does he accomplish this ? Why is it necessary ? 2. Later the Father argues that " Characters " are more real than living persons . What arguments does he advance for this claim ? Within the ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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Често срещани думи и фрази
action ACTORS ALGERNON ÁNYA BARBARA begins believe Bentham better BOYLE BURGESS CANDIDA CECILY characters child comes course crying dear don't door drama duck EKDAL Enter Ernest Eugene eyes face FATHER feel GINA give goes goin GREGERS GWENDOLEN hand happy head hear heard HEDVIG HJALMAR it's JACK James JOHNNY JOXER keep kind LADY BRACKNELL laughing LEADING leave live look LOPÁKHIN MADAME RANÉVSKY MANAGER MARCHBANKS married MARY matter mean mind MISS PRISM MORELL mother nature never once opens play poor present PROSERPINE RELLING rising seems sits speak stage stand STEPDAUGHTER stop suppose sure talk tell Thank There's thing thought told TROPHÍMOF true turning understand voice wait WERLE whole wild woman Worthing young