An Introduction to Literature, Част 1Herbert Barrows, Hubert C. Heffner, Gordon Norton Ray, John Ciardi, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
Между кориците на книгата
Резултати 1 - 3 от 7.
Страница 350
... Diction is simply the dialogue of the play , the combination of words into speeches . Formally , it is controlled by the thought of the characters ; that is , what the characters say and how they say it are determined by what they feel ...
... Diction is simply the dialogue of the play , the combination of words into speeches . Formally , it is controlled by the thought of the characters ; that is , what the characters say and how they say it are determined by what they feel ...
Страница 351
... diction and spectacle it also makes statements of thought which affect us intellectually . A play , as we have tried to show , is an ordered and organized rendering of a certain vision of human life . In so far as that vision is ...
... diction and spectacle it also makes statements of thought which affect us intellectually . A play , as we have tried to show , is an ordered and organized rendering of a certain vision of human life . In so far as that vision is ...
Страница 616
... diction is admirably suited to the purpose and effect of the drama . The Irish idiom enhances both his characterizations and the comic powers of the play . The dialogue has a strangeness and a rhythm that heightens interest . In O ...
... diction is admirably suited to the purpose and effect of the drama . The Irish idiom enhances both his characterizations and the comic powers of the play . The dialogue has a strangeness and a rhythm that heightens interest . In O ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
4 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
action ACTORS ALGERNON ÁNYA BARBARA begins believe Bentham better BOYLE BURGESS CANDIDA CECILY characters child comes course crying dear don't door drama duck EKDAL Enter Ernest Eugene eyes face FATHER feel GINA give goes goin GREGERS GWENDOLEN hand happy head hear heard HEDVIG HJALMAR it's JACK James JOHNNY JOXER keep kind LADY BRACKNELL laughing LEADING leave live look LOPÁKHIN MADAME RANÉVSKY MANAGER MARCHBANKS married MARY matter mean mind MISS PRISM MORELL mother nature never once opens play poor present PROSERPINE RELLING rising seems sits speak stage stand STEPDAUGHTER stop suppose sure talk tell Thank There's thing thought told TROPHÍMOF true turning understand voice wait WERLE whole wild woman Worthing young