An Introduction to Literature, Част 1Herbert Barrows, Hubert C. Heffner, Gordon Norton Ray, John Ciardi, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 428
... question or questions are raised and left un- answered at the end of Act One ? Are there any other devices or means of raising interest in this first act ? 2. Trace and list the sequence of major complications and resolutions which ...
... question or questions are raised and left un- answered at the end of Act One ? Are there any other devices or means of raising interest in this first act ? 2. Trace and list the sequence of major complications and resolutions which ...
Страница 572
... questions of reality and existence ? Pirandello is a master of such paradoxes . Like Wilde and Shaw , he employs them for comic effects , but he employs them chiefly to raise questions about the nature of man and of reality . THE FATHER ...
... questions of reality and existence ? Pirandello is a master of such paradoxes . Like Wilde and Shaw , he employs them for comic effects , but he employs them chiefly to raise questions about the nature of man and of reality . THE FATHER ...
Страница 614
... QUESTIONS 1. In the first scene , Pirandello is concerned to establish the complete realness of the Stage Manager ... ( question 2 above ) . Another is the difference between art and reality . State as ex- plicitly as you can the ...
... QUESTIONS 1. In the first scene , Pirandello is concerned to establish the complete realness of the Stage Manager ... ( question 2 above ) . Another is the difference between art and reality . State as ex- plicitly as you can the ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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Често срещани думи и фрази
action ACTORS ALGERNON ÁNYA BARBARA begins believe Bentham better BOYLE BURGESS CANDIDA CECILY characters child comes course crying dear don't door drama duck EKDAL Enter Ernest Eugene eyes face FATHER feel GINA give goes goin GREGERS GWENDOLEN hand happy head hear heard HEDVIG HJALMAR it's JACK James JOHNNY JOXER keep kind LADY BRACKNELL laughing LEADING leave live look LOPÁKHIN MADAME RANÉVSKY MANAGER MARCHBANKS married MARY matter mean mind MISS PRISM MORELL mother nature never once opens play poor present PROSERPINE RELLING rising seems sits speak stage stand STEPDAUGHTER stop suppose sure talk tell Thank There's thing thought told TROPHÍMOF true turning understand voice wait WERLE whole wild woman Worthing young