Blackwood's Edinburgh Magazine, Том 45W. Blackwood & Sons, 1839 |
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... effect , that the words of a song should be equal to the music . Rude and feeble expressions may be sufficient to give a definite object and distinct character to a melody , and may , in com- bination with its influence , create im ...
... effect , that the words of a song should be equal to the music . Rude and feeble expressions may be sufficient to give a definite object and distinct character to a melody , and may , in com- bination with its influence , create im ...
Страница 2
... effects upon the progress of musical art , There is little doubt that the prin cipal charm of modern music arises from ... effect . The Scottish music is extensive and va- rious , and in every department pos sesses unquestionable merit ...
... effects upon the progress of musical art , There is little doubt that the prin cipal charm of modern music arises from ... effect . The Scottish music is extensive and va- rious , and in every department pos sesses unquestionable merit ...
Страница 5
... effect . " We have no edition of this very characteristic song contemporaneous with the time of the anecdote . But we have no reason to doubt that the air which is thus commemorated is the same as that with which we are still delighted ...
... effect . " We have no edition of this very characteristic song contemporaneous with the time of the anecdote . But we have no reason to doubt that the air which is thus commemorated is the same as that with which we are still delighted ...
Страница 10
... effect . " The Lass of Patie's Mill , " for instance , is not known to be a modern air , but , if presented to us for the first time , with out information as to its history , we might pronounce it to be beautiful , but we should not ...
... effect . " The Lass of Patie's Mill , " for instance , is not known to be a modern air , but , if presented to us for the first time , with out information as to its history , we might pronounce it to be beautiful , but we should not ...
Страница 11
... effect ; or of the " Souters of Selkirk , " in which the fourth is an im- portant feature in the melody , while the occurrence of the seventh , at the close , is one of its most striking pe- culiarities . Again , there is a large class ...
... effect ; or of the " Souters of Selkirk , " in which the fourth is an im- portant feature in the melody , while the occurrence of the seventh , at the close , is one of its most striking pe- culiarities . Again , there is a large class ...
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ancient appear Barry Cornwall beautiful Ben Jonson called Chamber of Deputies character Charta church consciousness death delight effect Egyptian calendar Eusebius eyes fact fancy father favour fear feel France genius gentleman Giles give hand happy head heard heart Herat Herodotus honour hope horse hour human Iliad imagination Jonson King lady Lamartine land light live look Lord Louis Philippe Manchester Manetho Margate means melody ment mind monarchical moral murder nature ness never night noble o'er observed once party passion persons Peter Schlemihl poet poetry Polybus poor present racter reader replied round scene Scotland seems seen sion soul spirit tell thee thing thou thought throne tion Tipperary Trojan war true truth turn voice whole words young
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Страница 312 - And bring all Heaven before mine eyes. And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell Of every star that heaven doth shew, And every herb that sips the dew, Till old experience do attain To something like prophetic strain.
Страница 136 - Echo still through all the song ; And, where her sweetest theme she chose, A soft responsive voice was heard at every close; And Hope enchanted smiled, and waved her golden hair...
Страница 184 - Hey, diddle diddle, the cat and the fiddle, The cow jumped over the moon. The little dog laughed to see such sport, And the dish ran away with the spoon!
Страница 313 - HOW happy is he born and taught That serveth not another's will; Whose armour is his honest thought, And simple truth his utmost skill ! Whose passions not his masters are; Whose soul is still prepared for death, Untied unto the world by care Of public fame or private breath...
Страница 140 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side, Views wilds, and swelling floods, And hamlets brown, and dim-discovered spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.
Страница 541 - If we are like you in the rest, we will resemble you in that.
Страница 571 - But who can paint Like Nature? Can imagination boast, Amid its gay creation, hues like hers ? Or can it mix them with that matchless skill, And lose them in each other, as appears In every bud that blows...
Страница 564 - AT summer eve, when Heaven's ethereal bow Spans with bright arch the glittering hills below, Why to yon mountain turns the musing eye, "Whose sunbright summit mingles with the sky ? Why do those cliffs of shadowy tint appear More sweet than all the landscape smiling near ?Tis distance lends enchantment to the view, And robes the mountain in its azure hue.
Страница 313 - Who God doth late and early pray More of his grace than gifts to lend; And entertains the harmless day With a religious book or friend — This man is freed from servile bands Of hope to rise or fear to fall: Lord of himself, though not of lands, And, having nothing, yet hath all.
Страница 136 - Pour'd through the mellow horn her pensive soul : And dashing soft from rocks around Bubbling runnels join'd the sound ; Through glades and glooms the mingled measure stole, Or, o'er some haunted stream, with fond delay, Round an holy calm diffusing, Love of peace, and lonely musing, In hollow murmurs died away.