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" ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing! Are we a piece of machinery, which, like the ./Eolian harp, passive, takes the impression of... "
Acme Library of Standard Biography: Macaulay, T. Frederick the Great - Страница 21
1880
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The Monthly Visitor, and Entertaining Pocket Companion, Том 12

1801 - 452 страници
...autumnal morning, without feeling an elevation of soul like, the enthusiasm of devotion, or poetry. Tell me, my dear friend, to what can this be owing?...like the Eolian harp, passive takes the impression ot the passing accident ? Or do these workings arfie something within us above the trodden clod ? own...

The Edinburgh Review: Or Critical Journal, Том 13

1809 - 530 страници
...an autumnal morning, without feeling an elevation of soul like the endiusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing...takes the impression of the passing accident ? Or do diese workings argue something widiin us above the trodden clod ? ' II. p. 195 — 197. To this we...

The Edinburgh Review: Or Critical Journal, Том 48

1828 - 722 страници
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the . lv>li;m harp, passive, takes the impression of the passing accident ? or do these workings argue...

Censura Literaria: Containing Titles, Abstracts, and Opinions of ..., Томове 1–2

Sir Egerton Brydges - 1805 - 908 страници
...poetry. Tell me, my dear friend, to what can this be owing? Arc we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the...proofs of those awful and important realities — a God thdt made all things — man's immaterial and immortal nature — and a world of weal and woe beyond...

Censura Literaria: Containing Titles, Abstracts, and Opinions of Old ..., Том 2

Sir Egerton Brydges - 1806 - 416 страници
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion Or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue...

The Prosaic Garland: Consisting of Upwards of Two-hundred Pieces Selected ...

John Evans - 1807 - 318 страници
...vation of sool like the enthusiasm of devotion, or poetry. Tell me, my dear friend, to wlmt can this he owing ? Are we a piece of machinery, which, like the Eolian harp, passive takes the impression ot" the passing accident ? Or <io these workings argue something within us above the trodden ciod ?...

The Edinburgh Review, Том 13

1809 - 530 страници
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing...argue' • something within us above the trodden clod ? * II. p. 195—197. To this we may add the following passage, as a part, indeed, of the same picture....

Select Reviews, and Spirit of the Foreign Magazines, Том 2

Enos Bronson - 1809 - 458 страници
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing...workings argue something within us above the trodden clod ?" II. p. 195—197. To this we may add the following passage, us a part, indeed, of the same picture"...

Select Reviews, Томове 1–2

1809 - 914 страници
...me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing...workings argue something within us above the trodden clod !" II. p.. 195—197. To this we may add the following passage, as a part, indeed, of the same picture"...

Letters, Томове 1–2

Robert Burns - 1819 - 388 страници
...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something...




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