Puck. I took him fleeping,-that is finish'd too,And the Athenian woman by his fide; That, when he wak'd, of force she must be ey❜d. Enter DEMETRIUS and HERMIA. Obe. Stand clofe; this is the fame Athenian. Puck. This is the woman, but not this the man. Dem. O, why rebuke you him that loves you fo? Lay breath fo bitter on your bitter foe. Her. Now I but chide, but I fhould use thee worse; Being o'er fhoes in blood, plunge in the deep, The fun was not fo true unto the day, As he to me: Would he have ftol'n away Her. What's this to my Lyfander? where is he? Dem. I had rather give his carcafe to my hounds. bounds Being o'er fhoes in blood,] An allufion to the proverb, Over shoes, over boots. JOHNSON. 9-with the Antipodes.] i. e. on the other fide of the globe. EDWARDS. -fo dead,] So again in K Henry IV. P. II. Act. I. fc. iii : "Even jusb a man, fo faint, fo fpiritless, "So dull, fa dead in look, fo wee-begone. STEEVENS. So alfo in Iodge's Doraftus and Fawnia: "if thou marry in age, thy wife's fresh colours will breed in thee dead thoughts and fufpicion. MALONE. Of maiden's patience. Haft thou flain him then? An adder did it; for with doubler tongue Dem. You spend your paffion on a mifpris'd mood 4: I am not guilty of Lyfander's blood; Nor is he dead, for aught that I can tell. Her. I pray thee tell me then that he is well. And from thy hated prefence part I fo5: [Exit. Dem. There is no following her in this fierce vein: [lies down. Obe. What haft thou done? thou haft miftaken quite, And laid the love-juice on fome true love's fight: Of thy mifprifion must perforce enfue Some true love turn'd, and not a false turn'd true.' 2 Durft thou have look'd upon him, being awake, And baft thou kill'd him fleeping?] She means, Haft thou kill'd him fleeping, whom, when awake, thou didst not dare to look upon? MALONE. 3 O brave touch!] Touch in Shakspeare's time was the fame with our explait, or rather ftroke. A brave touch, a noble ftroke, un grand coup. JOHNSON. A touch anciently fignified a trick. In the old black letter ftory of Howleglas, it is always ufed in that fenfe. STEEVENS. 4 - mifpriz'd mood:] Miftaken; fo below mifprifion is mistake. JOHNSON. Mood is anger, or perhaps rather in this place, capricious fancy. 5 MALONE. -part I fo:] So, which is not in the old copy, was inferted for the fake of both metre and rhime, by Mr. Pope. MALONE. Puck. Puck. Then fate o'er-rules; that, one man holding troth, A million fail, confounding oath on oath. Obe. About the wood go swifter than the wind, And Helena of Athens look thou find : All fancy-fick fhe is, and pale of cheer With fighs of love, that coft the fresh blood dear: Swifter than arrow from the Tartar's bow. Sink in apple of his eye! When thou wak'ft, if she be by, Beg of her for remedy. Re-enter PUCK. Puck. Captain of our fairy band, And the youth mistook by me, Pleading for a lover's fee'; Shall we their fond pageant fee? Lord, what fools thefe mortals be! [Exit. Obe. Stand afide: the noise they make, Will caufe Demetrius to awake. Puck. Then will two, at once, woo one; That must needs be sport alone: And those things do beft please me, That befal prepofterously. Enter LYSANDER, and HELENA. Lys. Why fhould you think, that I fhould woo in fcorn? Scorn and derifion never come in tears: • Hit with Cupid's archery,] This alludes to what was faid before: the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound. STEEV. Look Look, when I vow, I weep; and vows fo born, Lys. I had no judgement, when to her I fwore. To what, my love, fhall I compare thine eyne? But you must join, in fouls', to mock me too? If 7-Taurus' Snow,] Taurus is the name of a range of mountains in Afia. JOHNSON. 8 This princefs of pure white,-] So in Wyat's poems: "of beauty princess chief." STEEVENS. In the Winter's Tale we meet with a fimilar expreffion : 66 --good footh, he is "The Queen of curds and cream." MALONE. - feal of bliss!) He has in Measure for Measure, the fame image "But my kies bring again, "Seals of love, but feal'd in vain." JOHNSON. 1-join in fouls,] i. e. join heartily, unite in the fame mind. Shakfpeare in Henry V. ufes an expreffion not unlike this: "Fer If you were men, as men you are in fhow, To vow, and fwear, and fuperpraise my parts, "For we will bear, note, and believe in heart;" i. e. heartily believe; and in Measure for Measure he talks of electing with fpecial foul. In Troilus and Creffida, Ulyffes, relating the character of Hector as given him by Æneas, fays: with private foul "Did in great Ilion thus tranflate him to me." And, in All Fools, by Chapman, 1605, is the fame expreffion as that in the text: "Happy, in foul, only by winning her." Again in Pierce Pennileffe bis fupplication to the Devil, 1592:-" whofe fubverfion in foul they have vow'd." STEEVENS. A fimilar phrafeology is found in Meafure for Measure: "Is't not enough thou haft fuborn'd these women I rather believe the line fhould be read thus: But you must join, ill fouls, to mock me too. TYRWHITT. 2 Atrim exploit, a manly enterprize, &c.] This is written much in the manner and fpirit of Juno's reproach to Venus in the 4th book of the Æneid: 3 "Egregiam vero laudem et fpolia ampla refertis, "Tuque puerque tuus; magnum et memorabile nomen, in the old ballad of Jane Shore: "Long time I lived in the court, "With lords and ladies of great fort." MALONE.. 4➡ extort a poor foul's patience,] Harrafs, torment. JoHNSON. And |