The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1.01.2002 г. - 347 страници Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Страница 3
... Benjamin's “chips of Messianic time,”2 ar- rested into a monad, pregnant with tensions—the radiant Image itself. When photography managed at last (hypo-thetically) to fix it, it had al- ready become the referential problem lamented in ...
... Benjamin's “chips of Messianic time,”2 ar- rested into a monad, pregnant with tensions—the radiant Image itself. When photography managed at last (hypo-thetically) to fix it, it had al- ready become the referential problem lamented in ...
Страница 5
... Benjamin meant when , distinguishing fashion from history , “ whose site is not homogeneous , empty time , but time filled by the presence of the now , ” he described it , even in its avidity for the topi- cal , as “ a tiger's leap into ...
... Benjamin meant when , distinguishing fashion from history , “ whose site is not homogeneous , empty time , but time filled by the presence of the now , ” he described it , even in its avidity for the topi- cal , as “ a tiger's leap into ...
Страница 6
... Benjamin that has become a virtual doctrine in our anti- aesthetics: if the monuments of culture are accompanied by a history of barbarism , the history of liberation has been accompanied , 6 Afterthought from the Vanishing Point.
... Benjamin that has become a virtual doctrine in our anti- aesthetics: if the monuments of culture are accompanied by a history of barbarism , the history of liberation has been accompanied , 6 Afterthought from the Vanishing Point.
Страница 21
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Съдържание
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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