An Introduction to Literature: The nature of drama, by H. HeffnerHerbert Barrows, Hubert C. Heffner, John Ciardi, Gordon Norton Ray, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 344
... tends to become serious for the agents involved in the action . The change may be trivial and temporary , or it may be significant and permanent . In order for the seriousness of the action to be significant and enduring , the ...
... tends to become serious for the agents involved in the action . The change may be trivial and temporary , or it may be significant and permanent . In order for the seriousness of the action to be significant and enduring , the ...
Страница 345
... tends to be social in nature . The creation of a play requires the ordering and organization of all the parts of its structure . The action must be shaped into a plot ; the agents or characters must be given those attributes which will ...
... tends to be social in nature . The creation of a play requires the ordering and organization of all the parts of its structure . The action must be shaped into a plot ; the agents or characters must be given those attributes which will ...
Страница 467
... tend to crush them . This is not the moment for German scepticism . ( Moving to CECILY . ) Their explanations appear to be quite satisfactory , especially Mr. Worthing's . That seems to me to have the stamp of truth upon it . CECILY . I ...
... tend to crush them . This is not the moment for German scepticism . ( Moving to CECILY . ) Their explanations appear to be quite satisfactory , especially Mr. Worthing's . That seems to me to have the stamp of truth upon it . CECILY . I ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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Често срещани думи и фрази
action ACTORS afraid afther agen ALGERNON ÁNYA attic Aunt Augusta BARBARA BENTHAM betther BOYLE Bunbury BURGESS CANDIDA Captain CECILY chair characters CHASUBLE cherry orchard child comedy comes comic crying D'ye darlin dear door drama DUNYASHA EKDAL Enter EPHIKHÓDOF Ernest Eugene Exit Father Farrell FIRS GAYEF GINA give goes goin GREGERS GUEST GWENDOLEN hand happy hear heard HEDVIG HJALMAR JACK James JERRY JOHNNY JOXER Juno LADY BRACKNELL LANE laughing LEXY live look LOPÁKHIN MADAME PACE MADAME RANÉVSKY MADIGAN mamma MANAGER MARCHBANKS married MARY mean meself minute MISS PRISM moleskin Molvik MORELL mother never nice nothin pause PETTERSEN PÍSHTCHIK play poor PROSERPINE RELLING sits sofa SÖRBY speak STEPDAUGHTER stop suppose sure talk tell There's thing thought TROPHÍMOF turning voice WERLE What's wild duck woman YÁSHA