An Introduction to Literature: The nature of drama, by H. HeffnerHerbert Barrows, Hubert C. Heffner, John Ciardi, Gordon Norton Ray, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 344
... fear for the outcome of their predica- ments and pity for their misfortunes . These powers , fear and pity , are the distinctive powers of the dramatic form known as tragedy . The dramatist may conceive the action he is organizing and ...
... fear for the outcome of their predica- ments and pity for their misfortunes . These powers , fear and pity , are the distinctive powers of the dramatic form known as tragedy . The dramatist may conceive the action he is organizing and ...
Страница 345
... fear and hate . The audience feels hate for an an- tagonist or villain who in the end reaps a merited punishment . This form of drama requires a double ending , happiness for the sympathetic characters and unhappiness for the ...
... fear and hate . The audience feels hate for an an- tagonist or villain who in the end reaps a merited punishment . This form of drama requires a double ending , happiness for the sympathetic characters and unhappiness for the ...
Страница 446
... fear we never shall . Few parents now - a - days pay any regard to what their children say to them . The old - fashioned respect for the young is fast dying out . Whatever influence I ever had over mamma , I lost at the age of three ...
... fear we never shall . Few parents now - a - days pay any regard to what their children say to them . The old - fashioned respect for the young is fast dying out . Whatever influence I ever had over mamma , I lost at the age of three ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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Често срещани думи и фрази
action ACTORS afraid afther agen ALGERNON ÁNYA attic Aunt Augusta BARBARA BENTHAM betther BOYLE Bunbury BURGESS CANDIDA Captain CECILY chair characters CHASUBLE cherry orchard child comedy comes comic crying D'ye darlin dear door drama DUNYASHA EKDAL Enter EPHIKHÓDOF Ernest Eugene Exit Father Farrell FIRS GAYEF GINA give goes goin GREGERS GUEST GWENDOLEN hand happy hear heard HEDVIG HJALMAR JACK James JERRY JOHNNY JOXER Juno LADY BRACKNELL LANE laughing LEXY live look LOPÁKHIN MADAME PACE MADAME RANÉVSKY MADIGAN mamma MANAGER MARCHBANKS married MARY mean meself minute MISS PRISM moleskin Molvik MORELL mother never nice nothin pause PETTERSEN PÍSHTCHIK play poor PROSERPINE RELLING sits sofa SÖRBY speak STEPDAUGHTER stop suppose sure talk tell There's thing thought TROPHÍMOF turning voice WERLE What's wild duck woman YÁSHA