Shakespeare on the German Stage: Volume 2, The Twentieth CenturyCambridge University Press, 28.05.1998 г. - 497 страници Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements. |
Съдържание
OLD TRADITIONS AND NEW BEGINNINGS | 1 |
Shakespeare on | 7 |
New beginnings | 13 |
Appia and Craig | 26 |
SHAKESPEARE THEATRE IN THE WEIMAR REPUBLIC | 44 |
SHAKESPEARE IN THE THIRD REICH 19331945 | 112 |
SHAKESPEARE ON THE POSTWAR STAGE CONTINUITY | 174 |
SHAKESPEARE AND THE REVOLUTION | 217 |
visual radicalizations | 249 |
Peter Zadeks zestful iconoclasm | 262 |
Heyme and Stein | 268 |
The aesthetics of iconoclasm | 279 |
Nonexperimental Shakespeare Shakespearepflege | 285 |
SHAKESPEARE | 350 |
THE END OF AN EPOCH AND SOME NEW FACES | 435 |
476 | |
History Lessons | 226 |
Heiner Müllers Shakespeare operations | 236 |
the question of texts | 243 |
485 | |
Често срещани думи и фрази
achieved acting action actors aesthetic artistic audience Berlin Bochum Brecht Burgtheater Castorf character classics Cologne comedy concept contemporary Coriolanus costumes Cressida critics cultural Deutsches Theater directors drama dramaturgic Düsseldorf East German elements ensemble expressionist festival Frankfurter Allgemeine Zeitung Fritz Kortner German stage German theatre Gert Voss Gründgens Gründgens's Gustaf Gründgens Hamburg Hamlet Heiner Heiner Müller Heinz Hilpert human Ibid ideological Ihering illus intellectual interpretation Jessner Jewish Juliet Jürgen Fehling Kammerspiele King Lear Kortner Macbeth Max Reinhardt Midsummer Night's Dream Minetti Müller Munich Nazi Othello Otto Falckenberg performance Peter Peymann play political present programme Quoted realism revolutionary Richard Richard III role Romeo Ruppel Saladin Schmitt scene Schauspielhaus Sellner Shakespeare Shakespeare productions Shakespeare-Jahrbuch showed Shylock social socialist spectators spirit Staatstheater Stein style Theater heute theatrical tion tradition tragedy turned Twelfth Night Vienna visual Volksbühne Weimar West Wolfgang young Zadek Zurich