Love's Labour's LostRandom House Publishing Group, 12.08.2008 г. - 224 страници A continuation of the major series of individual Shakespeare plays from the world renowned Royal Shakespeare Company, edited by two brilliant, younger generation Shakespearean scholars Jonathan Bate and Eric RasmussenIncorporating definitive text and cutting-edge notes from William Shakespeare: Complete Works-the first authoritative, modernized edition of Shakespeare's First Folio in more than 300 years-this remarkable series of individual plays combines Jonathan Bate's insightful critical analysis with Eric Rasmussen's textual expertise. |
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Страница vii
... comedy in the wordy academic humor of Holofernes and Don Armado . The reaction of some members of the general theatergoing public- " the base vulgar , " as the play itself calls them might have been more like that of Dull . It comes as ...
... comedy in the wordy academic humor of Holofernes and Don Armado . The reaction of some members of the general theatergoing public- " the base vulgar , " as the play itself calls them might have been more like that of Dull . It comes as ...
Страница x
... comedy and most cruel death of Pyramus and Thisbe " echoes the main plot of A Midsummer Night's Dream , so the pageant of " The Nine Worthies " offers a commentary on that of Love's Labour's Lost . Navarre begins the main action with ...
... comedy and most cruel death of Pyramus and Thisbe " echoes the main plot of A Midsummer Night's Dream , so the pageant of " The Nine Worthies " offers a commentary on that of Love's Labour's Lost . Navarre begins the main action with ...
Страница xvi
... comedy : instead of the play concluding with multiple marriages , the courtiers are sentenced to a year's community service , after which the ladies will assess the situation . That assessment presumably occurred in the lost sequel ...
... comedy : instead of the play concluding with multiple marriages , the courtiers are sentenced to a year's community service , after which the ladies will assess the situation . That assessment presumably occurred in the lost sequel ...
Страница 104
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Страница 119
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academic Act 4 Scene actors ARMADO MOTH audience BEROWNE Berowne's BOYET characters clown comedy COSTARD costumes court cuckoo dance deer disguise Don Armado doth Dull DUMAINE DUMAINE BEROWNE Exeunt Exit eyes fair Folio fool forsworn French give grace Gregory Doran hand hath hear heart Hector Hercules HOLOFERNES Jaquenetta Jonathan Bate Judas Judas Maccabaeus KATHERINE Kenneth Branagh KING BEROWNE King of Navarre KING PRINCESS king's l'envoy ladies language learned letter light lines Longaville lord Love's Labour's Lost lovers madam malapropism Marcadé MARIA master mock MOTH ARMADO Nathaniel Navarre Navarre's Nine Worthies numbers oath pageant performance play's plays on sense Pompey praise production puns Quarto rhyme ROSALINE Royal Shakespeare Company running scene sexual Shakespeare sonnet speech stage sweet tell Terry Hands theater thee thou tion tongue Tragedy wench woman word ΒΟΥΕΤ