Love's Labour's LostRandom House Publishing Group, 12.08.2008 г. - 224 страници A continuation of the major series of individual Shakespeare plays from the world renowned Royal Shakespeare Company, edited by two brilliant, younger generation Shakespearean scholars Jonathan Bate and Eric RasmussenIncorporating definitive text and cutting-edge notes from William Shakespeare: Complete Works-the first authoritative, modernized edition of Shakespeare's First Folio in more than 300 years-this remarkable series of individual plays combines Jonathan Bate's insightful critical analysis with Eric Rasmussen's textual expertise. |
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Страница xix
... exit direction and speech headings , though Quarto is superior to Folio in some of its individual readings of words and phrases . With several major plays where a well - printed Quarto was avail- able , the Folio printers were ...
... exit direction and speech headings , though Quarto is superior to Folio in some of its individual readings of words and phrases . With several major plays where a well - printed Quarto was avail- able , the Folio printers were ...
Страница xxii
... Exits are fairly thorough in Folio , which has accord- ingly been followed as faithfully as possible . Where characters are omitted or corrections are necessary , this is indicated by square brackets ( e.g. " [ and Attendants ] " ) . Exit ...
... Exits are fairly thorough in Folio , which has accord- ingly been followed as faithfully as possible . Where characters are omitted or corrections are necessary , this is indicated by square brackets ( e.g. " [ and Attendants ] " ) . Exit ...
Страница xxiii
... exit or a piece of business placed between arrows to indicate that it may occur at var- ious different moments within a scene . Line Numbers in the left margin are editorial , for reference and to key the explanatory and textual notes ...
... exit or a piece of business placed between arrows to indicate that it may occur at var- ious different moments within a scene . Line Numbers in the left margin are editorial , for reference and to key the explanatory and textual notes ...
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Страница 20
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academic Act 4 Scene actors ARMADO MOTH audience BEROWNE Berowne's BOYET characters clown comedy COSTARD costumes court cuckoo dance deer disguise Don Armado doth Dull DUMAINE DUMAINE BEROWNE Exeunt Exit eyes fair Folio fool forsworn French give grace Gregory Doran hand hath hear heart Hector Hercules HOLOFERNES Jaquenetta Jonathan Bate Judas Judas Maccabaeus KATHERINE Kenneth Branagh KING BEROWNE King of Navarre KING PRINCESS king's l'envoy ladies language learned letter light lines Longaville lord Love's Labour's Lost lovers madam malapropism Marcadé MARIA master mock MOTH ARMADO Nathaniel Navarre Navarre's Nine Worthies numbers oath pageant performance play's plays on sense Pompey praise production puns Quarto rhyme ROSALINE Royal Shakespeare Company running scene sexual Shakespeare sonnet speech stage sweet tell Terry Hands theater thee thou tion tongue Tragedy wench woman word ΒΟΥΕΤ