55 Great Wits fometimes may gloriously offend, 160 163 I know there are, to whofe prefumptuous thoughts 'T'hofe freer beauties, ev'n in them, feem faults. 170 Some figures monftrous and miffhap'd appear, Confider'd fingly, or beheld too near, Which, but proportion'd to their light, or place, 175 180 VER. 175. Aprudent-chief, etc.] Olá rɩ mocãtiv di pgóvipen seam θηλάται κατὰ τὰς τάξεις των σφάλευμάτων - Dion. Hal. De frui wat. VER. 180. Nor is it Homer nods, but we that dream. "Modefte, "et circumspecto judicio de tantis viris pronunciandum eft, ne "(quod plerifque accidit) damnent quod non intelligunt. Ac fi "neceffe eft in alteram errare partem, omnia eorum legentibus. placere, quam multa difpl.cere maluerim." Quint. Still green with bays each ancient Altar ftands, Above the reach of facrilegious hands; Secure from Flames, from Envy's fiercer rage, Destructive War, and all involving Age. See from each clime the learn'd their incenfe bring! Hear, in all tongues confenting Paans ring! 186 In praise so just let ev'ry voice be join'd, And fill the gen❜ral chorus of mankind. Hail, Bards triumphant! born in happier days; 190 Whose honours with increase of ages grow, As ftreams roll down, enlarging as they flow; The laft, the meanest of your fons inspire, 195 (That on weak wings, from far, pursues your flights;. She gives in large recruits of needless Pride! For as in bodies, thus in fouls, we find 205: What wants in blood and fpirits, fwell'd with wind: VER. 183. Secure from flames, from envy's fiercer rage, Deftructive war, and all-involving age.] The Poet here alludes to the four great caufes of the, ravage amongst ancient writings The deftruction of the Alexandrine and Palatine libraries by fire; the fiercer rage of Zoilus and Mavius and their fol- lowers against Wit; the irruption of the Barbarians into the em pire; and the long reign of Ignorance and Superftition in the shifters. Pride, where Wit fails, fteps in to our defence, Fir'd at firft fight with what the Muse imparts, And the first clouds and mountains feem the last: A perfect judge will read each work of Wit 210 215 220 225 230 VER. 233. A perfect judge, etc.] "Diligenter legendum eft ac pæne ad fcribendi follicitudinem: Nec per partes inodo fcrutan"da funt omnia, fed perlectus liber utique ex integro refumendus." Quint. VARIATION S. VER. 225. So pleas'd at firft the tow'ring Alps to try, The Traveller beholds with chearful eyes The lefs'ning vales, and feems to tread the skies. 240 Survey the WHOLE, nor feek flight faults to find 235 245 Thus when we view fome well proportion'd dome, (The world's just wonder, and ev'n thine, O Rome!) No fingle parts unequally furprise, All comes united to th' admiring eyes; 250 No monstrous height, or breadth, or length appear; Thinks what ne'er was, nor is, nor e'er fhall be. Since none can compass more than they intend; 255 260 VER. 235. Survey the whole, nor feek flight faults to find, Where nature moves, and rapture warms the mind;] The fecond line, in apologizing for those faults which the first fays fhould be overlooked, gives the reafon of the precept. For when a writer's attention is fixed on a general View of Nature, and his imagination warmed with the contemplation of great ideas, it can hardly be but that there must be small irregularities in the difpofition both of matter and style, because the avoiding these requires a coolness of recollection, which a writer fo bufied is not mafter of.. Moft Critics, fond of fome fubfervient art, Once on a time, La Mancha's Knight, they fay, 265 270 275 Produc'd his play, and begg'd the Knight's advice: 280 "What! leave the combat out?" exclaims the Knight. "Knights, fquires, and fteeds, muft enter on the flage." Curious, not knowing, not exact but nice, VER. 285. Thus Critics of less judgment than caprice, 285 Curicus, not knowing, not exact but nice.] In thefe two lines the Poet finely defcribes the way in which bad writers are wont to imitate the qualities of good ones. As true Judgment generally draws men out of popular opinions, fo he who cannot get from the croud by the affiftance of this guide, willingly follows Caprice, which will be fure to lead him into fingularities. Again, true Knowledge is the art of treafuring up only that which, from its ufe in life, is worthy of being lodged in the memory. But Curiosity confifis in a vain attention to every thing out of the way, and which, for its ufeleffaefs, the world leaft regards. Laftly, Exactnefs is the juft proportion of parts to one another, and their harmony in the whole: but he who has not extent of capacity for the exercife of this quality, contents himself with Nicety, which is a bufying one's felf about points and fyllables, |