An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 страници |
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Страница 24
... character of mere lovers . In this play , great violence is done to the character of the persons , to which Horace , and all good critics , prescribe a most exact adherence . And though the Romans , who had conquered all other nations ...
... character of mere lovers . In this play , great violence is done to the character of the persons , to which Horace , and all good critics , prescribe a most exact adherence . And though the Romans , who had conquered all other nations ...
Страница 177
... character , usual in the plays of our Author , the events being too great to admit the in- fluence of particular dispositions . It appears to me , that the character of Macbeth is also represented less particular and special , that his ...
... character , usual in the plays of our Author , the events being too great to admit the in- fluence of particular dispositions . It appears to me , that the character of Macbeth is also represented less particular and special , that his ...
Страница 178
... character ; to make that character naturally susceptible of those desires , that were to be communi- cated to it ; to render it interesting to the spectator , by some amiable qualities ; to make it exemplify the dangers of ambition ...
... character ; to make that character naturally susceptible of those desires , that were to be communi- cated to it ; to render it interesting to the spectator , by some amiable qualities ; to make it exemplify the dangers of ambition ...
Съдържание
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers