What is Art?: Aesthetic Theory from Plato to Tolstoy, Том 10Alexander Sesonske Oxford University Press, 1965 - 428 страници |
Между кориците на книгата
Резултати 1 - 3 от 10.
Страница 52
... Sophocles will be the same kind of imitator as Homer , for both imitate no- ble men ; in another , as Aristophanes , for both imitate men acting and doing . And some say that dramas are so called because they imitate men doing . 3. That ...
... Sophocles will be the same kind of imitator as Homer , for both imitate no- ble men ; in another , as Aristophanes , for both imitate men acting and doing . And some say that dramas are so called because they imitate men doing . 3. That ...
Страница 69
... Sophocles said for himself that he presented men as they ought to be , Euripides men as they are . By this answer the problem is to be solved . 7. But if neither is the case we may reply that men say things are thus - for example , the ...
... Sophocles said for himself that he presented men as they ought to be , Euripides men as they are . By this answer the problem is to be solved . 7. But if neither is the case we may reply that men say things are thus - for example , the ...
Страница 286
... Sophocles ? But in the former it is enveloped in a bitter rind , and passes less into the whole work , since the bond of sensuous Grace is still wanting . But out of this severity , and the still rude charms of earlier Art , could ...
... Sophocles ? But in the former it is enveloped in a bitter rind , and passes less into the whole work , since the bond of sensuous Grace is still wanting . But out of this severity , and the still rude charms of earlier Art , could ...
Съдържание
LONGINUS | 3 |
Greater Hippias 286a to end | 11 |
46 | 95 |
Авторско право | |
12 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
abstract action Aeschylus aesthetic agreeable Apollonian appear artist body cause character cognition colour composition concept contemplation definite delight Dionysian Dionysus distinct dithyramb divine effect emotion ence eral Euripides excite existence expression external fact faculty feeling genius give Glaucon harmony Hence Hesiod Hippias Homer human idea imagination imitation individual ject judge judgement of taste kind knowledge language matter means ment merely metre mind mode moral nature ness never object Odysseus pain painting particular passions perceive perception perfect person Pheidias plastic art Plato pleases pleasure poem poet poetic poetry present principle produce prose pure qualities question reality reason regard relation representation rhapsode sensation Sense of Beauty sensuous sion Socrates Sophocles soul speak sublime things thought tion tive tragedy true truth ture understanding unity universal verse virtue whole words