Shakespeare's SoliloquiesRoutledge, 15.04.2013 г. - 224 страници First published in 1987. |
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Страница 3
... mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is said to have coined the word soliloquium. Yet in pre-Shakespearean drama it was only occasionally ...
... mind with itself '.'* Most of the reference works also provide us with a definition of this sort, tracing it back to St Augustine, who is said to have coined the word soliloquium. Yet in pre-Shakespearean drama it was only occasionally ...
Страница 8
... mind, or as the largely unconscious words of a character half asleep or intoxicated. Thus the drama critic William Archer (I852~1924), who won fame through his translation of Ibsen's plays, was of the opinion that 'a few broken ...
... mind, or as the largely unconscious words of a character half asleep or intoxicated. Thus the drama critic William Archer (I852~1924), who won fame through his translation of Ibsen's plays, was of the opinion that 'a few broken ...
Страница 9
... mind that Shakespeare lets his soliloquies confirm what the audience and reader already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of ...
... mind that Shakespeare lets his soliloquies confirm what the audience and reader already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of ...
Страница 11
... mind and spirit, by the character of the speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were applied to the soliloquies of classical German or French drama. The ...
... mind and spirit, by the character of the speaker? The answers to these questions will be far more finely differentiated than they would be if the same questions were applied to the soliloquies of classical German or French drama. The ...
Страница 20
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Съдържание
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Често срещани думи и фрази
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words